REVIEW: Love After Dark (Basement Fest)

October 5, 2011

Triple Word Score [by Sharu Delilkan] The concept of the alternate ending has always worked a treat. Many movies, especially the infamous Sliding Doors, not only had an alternate ending but an alternate history as well. It’s therefore not surprising that The Outfit Theatre Company’s latest romp Love After Dark is a winning combination right from the get-go – three […]

REVIEW: Anything Goes (Auckland Music Theatre)

October 5, 2011

When reviewing shows, anything goes… [by James Wenley] Anything Goes is currently enjoying a very successful revival at the home of musical theatre: Broadway. If you believe the hype headliner Sutton Foster is akin to the second coming, and it received the 2011 Tony Award for ‘Best Revival’. It’s a classic musical that truly earnt its ‘classic’ tag, how could […]

PREVIEW: Yours Truly (Basement Fest)

September 27, 2011

Jack the Ripper finally comes to Auckland, and he’s got a knife… [by James Wenley] When I met Anders Falstie-Jensen during his lunch break from rehearsals at the Basement, he was beaming and full of enthusiasm for his latest project. The play he is directing, Yours Truly sounds like a ripper. Jack the Ripper to be precise. Written by Albert Belz, […]

INTERVIEW: James Wilson, Executive Producer at Q

September 22, 2011

Answering Q’s about Q [by Sharu Delilkan] I’ve known James Wilson for the past four years while he was Producer and General Manager at Massive Company.  So when I heard that he was taking on the role of Executive Producer at Q, I naturally wanted the lowdown. Having only joined weeks before Q’s official opening on August 26, Wilson admits […]

REVIEW: I, George Nepia

September 21, 2011

More than just ‘Invincible’ [by James Wenley] At the age of 19, George Nepia earned himself a place in Rugby history. As fullback on the All Black squad during the tour of Europe in 1924/25, he played in all 30 matches, and the All Blacks won them all. The team would be hailed as the ‘Invincibles’ and Nepia as the […]

REVIEW: Cav & Pag (NZ Opera)

September 17, 2011

Double dose delights [by Sharu Delilkan] You can’t go wrong with two for the price of one. But when both the products are not just great value but great quality, you know you’ve struck gold. In this case watching two separate but cleverly intertwined operas, Cavalleria Rusticana and Pagliacci more commonly referred to as Cav/Pag, is not just value for […]

REVIEW: Death by Cheerleader

September 16, 2011

Slick, sick and sexy [by James Wenley] Amy Waller, Claire Van Beek and Julia Hyde are a talented and triumphant trifecta. Starring as the Cheer Blacks in their play Death by Cheerleader, they deliver a 10/10 performance not only showcases some great acting and comedic flair, but some high energy and impressive cheerleading routines, restricted only by the height of […]

REVIEW: The First Asian AB

September 14, 2011

Try, but no conversion… [by Sharu Delilkan] Admittedly I was apprehensive about reviewing this show because rugby is definitely not my forte.  However I decided to go for it in the same spirit that the playwright of The First Asian AB (FAAB) Renee Liang chose to write the play.  But just in case I surrounded myself with the right people […]

Which ALL BLACK would you like to see perform in a theatre show?

September 13, 2011

The First Asian AB Ticket Giveaway winner announced [by James Wenley] With theatre going a bit Rugby mad at the moment, I wondered what would happened if we put the boot on the other foot. To win tickets to The First Asian AB, performing this week at the Basement, I asked readers “Which ALL BLACK would you like to see […]

REVIEW: The Wizard of Oz (Peach Theatre Company)

September 12, 2011

A Yellow Brick Road worth following [by James Wenley] We’re off to the see the Wizard. I’ll get you my pretties. Dorothy. Scarecrow. Lion. Tin Man. Toto. The songs, images, lines and characters from The Wizard of Oz are burned in technicolour into the memories of generations of people for over 70 years. While deviating wildly from L. Frank Baum’s 1900 original […]

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