[Nowhere to Run] We meet a few different versions of Victoria Abbott during Run Rabbit. These vary from, but are not limited to, “Victoria Abbott: normal human woman”, “Victoria Abbott: the actor”, and, of course, “The Rabbit.” Abbott opens the show by acknowledging and grounding her audience in the space, clearly demonstrating our autonomy within it, and showcasing the meta-elements […]
[Dancecrush] Desperate Late Night Energy, a collaboration between Electronica/dance-pop artist Boycrush (producer and songwriter Alistair Deverick) and Dance Plant Collective, is what you would get if you started a really good club in an Olympic standard swimming complex. It is overwhelmingly aesthetic, with ultramodern contemporary dance and superb live music brought together through an absolute clarity of vision. The costuming […]
[Make Mine Music] It’s a brilliant concept – in 12 hours, Wellington band The Undercuts will write and record a song in an hour on the hour every hour. And an audience gets to watch. As someone who loves music, and reading about the nuts and bolts of the artist’s process, this was a unique opportunity to watch a song […]
[Moving On] Choreographic Series Choreography: Sarah Foster-Sproull, Shaun James Kelly, James O’Hara, Moss Patterson Lighting Design: Andrew Lees The Opera House, Wellington Royal New Zealand Ballet’s 2019 season is the first programmed by current Artistic Director Patricia Barker. As such, it is an opportunity for audiences to get a sense of the focus and direction she intends for our national company. […]
[A Taste of English Pup Humour in Auckland] What does it mean to be ‘woke’? Urban Dictionary leans toward the definition that involves being more aware and knowing what’s afoot in the community around you. In a tribute to the pursuit of belonging, Sajeela Khershi tells her own story of a journey to being woke in Fights Like a Girl, […]
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