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  • [ August 18, 2022 ] REVIEW: We’ve Got So Much To Talk About (Basement Theatre) Theatre Reviews
  • [ August 18, 2022 ] REVIEW: Chrome Dome and Schizo (Basement Theatre) Theatre Reviews
  • [ August 4, 2022 ] REVIEW: Cinderella (Royal New Zealand Ballet) Dance Reviews
  • [ July 22, 2022 ] REVIEW: The Best Cafe in the World (Basement Theatre) Theatre Reviews
  • [ July 18, 2022 ] Going to the theatre should be a low-risk activity. We need to make our live performance venues as Covid-safe as possible. Scene by James
Home2021October

October 2021

Independent Artists are our Backbone. So why is nobody listening to them or stepping in to assist?

October 22, 2021
In this guest post, multidisciplinary artist Amber Liberté responds to statements from Creative New Zealand and argues independent artists are being left out of the Delta support offered to Aotearoa’s arts sector.  On 11th October I had an op-ed piece published on Stuff about the lack of support from Creative New Zealand to the arts sector – with a specific focus […]

Recent Posts

  • REVIEW: We’ve Got So Much To Talk About (Basement Theatre) August 18, 2022
  • REVIEW: Chrome Dome and Schizo (Basement Theatre) August 18, 2022
  • REVIEW: Cinderella (Royal New Zealand Ballet) August 4, 2022
  • REVIEW: The Best Cafe in the World (Basement Theatre) July 22, 2022
  • Going to the theatre should be a low-risk activity. We need to make our live performance venues as Covid-safe as possible. July 18, 2022
  • REVIEW: Safety in Numbers (A Slightly Isolated Dog) July 15, 2022
  • REVIEW: Collected Stories (Plumb Theatre) July 14, 2022
  • REVIEW: Scenes from a Yellow Peril (Auckland Theatre Company) June 26, 2022
  • REVIEW: The Woman in Black (Pumphouse Theatre) June 16, 2022
  • REVIEW: Krishnan’s Dairy (Indian Ink Theatre Company) June 15, 2022

Archives

Recent Posts

  • REVIEW: We’ve Got So Much To Talk About (Basement Theatre) August 18, 2022
  • REVIEW: Chrome Dome and Schizo (Basement Theatre) August 18, 2022
  • REVIEW: Cinderella (Royal New Zealand Ballet) August 4, 2022
  • REVIEW: The Best Cafe in the World (Basement Theatre) July 22, 2022
  • Going to the theatre should be a low-risk activity. We need to make our live performance venues as Covid-safe as possible. July 18, 2022
  • REVIEW: Safety in Numbers (A Slightly Isolated Dog) July 15, 2022
  • REVIEW: Collected Stories (Plumb Theatre) July 14, 2022
  • REVIEW: Scenes from a Yellow Peril (Auckland Theatre Company) June 26, 2022
  • REVIEW: The Woman in Black (Pumphouse Theatre) June 16, 2022
  • REVIEW: Krishnan’s Dairy (Indian Ink Theatre Company) June 15, 2022

Archives

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