INTERVIEW: Sam Brooks, Playwright

October 17, 2013

Another Sam Brooks [by James Wenley] Another Dead Fag happens to be Sam Brooks’ third production at The Basement theatre this year. A playwright who creates juicily complex characters, his words seem to spring from both a personal and societal consciousness. His is a young voice working in the theatre worth listening to – helped by consistently booking slots at […]

REVIEW: The Feast (The Basement)

October 16, 2013

My compliments to the chef [by Matt Baker] After having been selected through Red Leap Theatre’s Incubator Programme and workshopped through its Short Work Showcase, Le Petit Workshop, Refiner’s Fire Collective, and Nikki Bennett and Company have each produced a delectable piece of theatre, presented under the collective title of The Feast. Advertised as a mouth-watering feast of fresh theatre, each […]

REVIEW: Golden Boys (Kings of Waterview)

October 15, 2013

Ri-ri-ri-diculous [by James Wenley] What does the typical kiwi bloke look like in our country today? Golden Boys offers three possibilities: of the trio of brothers in the Thompson family, one is an All Black starter, one is an entrepreneurial businessman and rich-lister, and one is a Gay Labour politician. All have been raised by matriarch Isabella (Margaret Blay), whose […]

This Week in the Theatre Scene: Feast on Theatre (14-20 October)

October 14, 2013

[by James Wenley] PICK: The Feast What are we Feasting on? Not one, not two, but three very different plays all in one evening: 1. Halfatasi by Refiner’s Fire Collective  2. The Soldier’s Heart and The Feathered Girl by Le Petit Workshop 3. The Clown That Ran Away From The Circus by Nikki Bennett and Company Who’s putting it on? In the kind of collaborative enterprise […]

REVIEW: Live Live Cinema: Dementia 13 and Carnival of Souls (Jumpboard Productions)

October 13, 2013

Bringing Classic Cinema to Life [by James Wenley] Dementia 13 is a 1963 thriller and old-school slasher flick where an axe-wielding madman stalks the grounds of a Scottish castle. Though a clear Psycho-lite, in this early Francis Ford Coppola picture it is possible to discern his latent potential, in amongst the hokey psychological posturing and a reveal telegraphed from miles […]

REVIEW: The Thing from the Place (Theatre Beating)

October 9, 2013

Mad Science [by Dionne Christian] Okay, recently I wrote of the joys of taking kids to the theatre and of seeing their faces “light up” as they connect with what they’re seeing on stage.  Of course, the converse is when they react badly: they shout that they’re bored, they wriggle and jiggle and ask when it will be over, they’re […]

Help Theatre Scenes’ Matt Baker get to Romania

October 8, 2013

Matt representing NZ at Romania Critic Seminar [by James Wenley] What’s Romanian theatre like these days? Theatre Scenes’ own Matt Baker is going to find out. Matt, the first kiwi member of the International Association of Theatre Critics, has been accepted to join young critics from around the world to take part in critic seminar in Romania in conjunction with the 23rd […]

This Week in the Theatre Scene: Young & Hamlet (7-13 October)

October 7, 2013

Auckland Theatre gets Game of Thrones mad [by James Wenley] PICK ONE: Young & Hungry Who’s putting it on? Wellington has been doing Young & Hungry – a festival of new theatre with cast and crew aged 15-25 working with industry mentors – for yonks. Auckland only recently got a taste, with three years of Y&H under the wings of Auckland […]

REVIEW: The Flying Dutchman (New Zealand Opera)

October 6, 2013

Ships in the Night? [by Sharu Delilkan] Not having seen a Wagner Opera before I was intrigued to discover what all the fuss was about. The stage curtain represented an old sailing clipper sail, which gave nothing much away as to what we were about to experience, as we were treated to The Flying Dutchman‘s Overture, which unfortunately did seem […]

REVIEW: Hamlet (Galatea Theatre)

October 5, 2013

The Red Tragedy [by Matt Baker] The problem with Hamlet as a play is that it treats character over plot. The success of Galatea Theatre’s production, therefore, is the casting of Calum Gittins as the titular Dane. Asides from his remarkable technique, Gittins’ performance is packed with pathos, giving full colour to the extreme range of Hamlet’s capricious nature. This […]

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