REVIEW: One Man, Two Guvnors (Auckland Arts Festival)

March 15, 2013

One Man, Two Guvnors, Lots of Laughs [by James Wenley] I’m not sure who laughed the most: the audience’s belly laughs competed with Owain Arthur’s gleefully mad bray as he delighted in his mischief-making as journeyman and modern day harlequin Francis Henshall, bagman to two Guvnors. One Man, Two Guvnors is a theatrical blockbuster from The National Theatre, writer Richard […]

REVIEW: And I Was Like (The Basement)

March 15, 2013

And I Was Like: Whatever [by Matt Baker] In his programme notes, writer and director Sam Brooks puts forth the question, ‘What happens  when you take one of the fundamental pillars of relationships, the words, out of the equation?’ He  summarises by saying that ‘when it gets from the stage to your faces, maybe you’ll get your  answer.’ If there is […]

REVIEW: One Man Guy: Dirty American Decade (The Basement)

March 14, 2013

America Calling [by Matt Baker] 22 years on, Jon Pheloung returns to perform the self-proclaimed sort of sequel to his one-man show, One Man Guy. This, of course, raises the question of what, if anything, has changed. Having not seen the original production, I couldn’t say, but there is certainly a distinct feeling of the show not only taking place, but […]

REVIEW: Rhinoceros in Love (Auckland Arts Festival)

March 11, 2013

Love Saturation [by James Wenley] The sentiment is expressed by one character within Rhinoceros in Love that all love stories are the same. Certainly in mainstream western media we are constantly fed the boy-meets-girl-boy-eventually-wins-girl narrative. It was invigorating then to discover in Rhinoceros in Love a love story quite unlike any other I had ever seen. The visual spectacle, including […]

REVIEW: I Heart Alice Heart I (Auckland Arts Festival)

March 10, 2013

Too clever by Alice [by James Wenley] The thinking goes: everyone has a story to tell, everyone has a potential theatre show in them. When Irish Theatre maker Amy Conroy oversaw a kiss between two 60-something women snatched in the aisle of Tescos, she thought she had stumbled upon a story worth telling, and the theatre show she had been […]

REVIEW: The Factory (Auckland Arts Festival)

March 8, 2013

Pacific Side Story [by James Wenley] The chance taken on Kila Kokonut’s Krew The Factory – “New Zealand’s first Pacific Musical” – should prove the biggest statement of this year’s Auckland Arts Festival. Dedicated to the parents and grandparents of the creatives and cast who moved to New Zealand from the islands, The Factory began as a modest workshop production […]

REVIEW: Darling, Today We’re Going To Die (Auckland Fringe)

March 7, 2013

It’s a short journey [by Matt Baker] With the Sky Tower prominent in their backdrop, the rear windows of St Kevin’s Arcade next to Alleluya are an appropriate performance space for this apocalyptic piece set in a central Auckland flat. Written and directed by, and starring Lucia Farron-Diamantis, Lewis Gregory, and Lana Mackintosh, collectively known as Three Queens, the writing […]

FRINGE DISPATCH: Taniwha, Parts, Home, Gorge

March 7, 2013

Choose your Own Adventure [by James Wenley] Planning your Fringe schedule is akin to the choose-your-own-adventure stories in childhood. There are different venues, several shows are on at the same time, and you (or at least I) agonise over which path to take. Unfortunately in the Fringe choose-your-own-adventure, you can’t go back to the start and begin it all again: […]

This Week in the Theatre Scene: The do-not-misses of the Final week of Fringe

March 6, 2013

Home, Gorge and Clouds [by James Wenley] Auckland Fringe is almost out the door (but Auckland Arts Festival opens today!). With a backlog of reviews still to write, and to stop you missing out, here are the top three unmissable Fringe shows this week with the Theatre Scenes seal of awesomeness. PICK ONE The show? Home / The Hilarious Comedy […]

REVIEW: King Lear (Summer Shakespeare)

March 4, 2013

Game of Thrones [by James Wenley] When I consider King Lear I think of the high grand tragedy, the demands of the title role and the master actors who have played him, and I conjure the harrowing image of the old man against the storm on the heath. It was pleasing to be reminded that the play begins (where it […]

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