Beardiful [by Amanda Leo] With a piece entitled Beards! Beards! Beards!, I had no doubt that theatre-watching beard-enthusiasts were going to enjoy this show about, well, a girl trying to grow a beard. I’m not exactly what you’d call an avid beard-enthusiast myself, but this show had me questioning why I wasn’t one. We are greeted with a beautiful simple layout […]
Escape from New York [by Tim George] Directed by Benjamin Henson, this new revival of Kenneth Lonergan’s pressure cooker of disaffected youth in Reagan-era New York is by turns claustrophobic, bleak, and nihilistic. It is also blackly comic and surprisingly profound. A young man steals $15000 from his father and holes up with his only friend, who also happens to be […]
Life is Krapp [by James Wenley] It is tempting to interpret Breath as an encapsulation of the ultimate message of all of Samuel Beckett’s plays: you’re born, life is rubbish, you die, and then it happens again to someone else. Breath is all of 40 seconds. Spoiler alert: we hear a baby’s cry, the lights fade up as we hear the […]
Fold again [by Matt Baker] There are certain recurring words associated with Jo Randerson’s writing: witty, refreshing, grotesque, absurd, surreal, irreverent; but it is only these last two I would attribute to her first play, Fold, which is currently playing in The Basement Studio. Its self-proclaimed “…mockery of pretension, self-obsession, and self-delusion…” is nothing more than that, a mockery, and while […]
Missing Pages [by Matt Baker] When the book that inspires a play has been called a modern classic, when the play itself has been self-attributed with “…beautiful, magical, surprising, touching, terrifying, joyous, inspiring, funny, and ultimately uplifting…”, and when the premiere was critically acclaimed as a “hilarious, honest, and beautifully rendered play”, there is a lot to which any other production must […]
Humdrum [by Sharu Delilkan and Tim Booth] An intriguing premise for tonight’s show – 12 drummers in a pyramid, a kitchen and a couple cooking the delicious Indian rice pudding that is payasam. Having seen The Manganiyar Seduction at the 2011 Festival we felt The Kitchen had the potential to be a little gimmicky, a re-packaging of their previously successful […]
Viva Verdi? [by Matt Baker] Playwright, designer, and director Brett Bailey has made a career in avant-garde theatre, and while I have a desire to engage with more of his productions, it is based more on reading about his other works rather than witnessing his adaptation of Verdi’s Macbeth. The concept of Congolese refugees recreating Verdi’s production based on the coming […]
Second Date Material [by Guest Reviewers Lucy Noonan and Tim George] Theatre Scenes sent reviewers along to the first two nights of One Night Stand at The Basement – a 24 hour play festival where 4 teams get just 24 hours to write, direct and stage a 10 minute play. Here are their verdicts. First up Lucy Noonan with night one: […]
Mōrihariha [by Sharu Delilkan] Witnessing a theatrical premiere is indeed a privilege but when it’s local with historical ties, such as Hīkoi, and it’s a world premiere makes for an even more momentous occasion. Writer Nancy Brunning’s cleverly crafted words come alive as soon as the show begins. Her ability to reel in the crowd with her sharp-witted dialogue and […]
We lost the patient [by Matt Baker] Successfully transforming a performance space can win over your audience before the dialogue of a show even begins, and the combination Christine Urquhart’s foreboding set, stark lighting by Nicole Astrella, and ominous sound composition by Sinisha Milkovic has me immediately geared for Finnius Teppet’s (arguably) absurdist play. Even though the debate on the purpose […]
Copyright © 2024 | MH Magazine WordPress Theme by MH Themes