Satiable [by Matt Baker] While the mutual love of Lisa Left-Eye Lopez may not grab all potential audience members, Stomach is a surprisingly accessible piece of theatre – for both men and women. Granted, there are one or two references that will completely skip men, but overall the themes of friendship and one’s self-respect are presented with a degree of authenticity […]
Six strong women sparkle [by Sharu Delilkan] It seemed almost like life imitating art when I arrived at the show Girl in Tan Boots with a mate who’s a red head, who loves cats and is a Westie. However I discovered later on that the lead character who was missing, Hannah the red head was lonely and single, which my […]
Shakespeare Strikes Back [by James Wenley] The notion, for a Shakespearean nerd such as I am, to attend a Shakespeare play that I had never read or seen before was a thrilling one. It’s like getting a new Star Wars movie or a new George R.R Martin novel, except this time its 400 or so years later. There was something rather […]
Circumspectacular [by Sharu Delilkan] “Circus spectacular” doesn’t even begin to describe the innovative circus act that is currently gracing the stage of Wellington’s Opera House as part of the 2014 New Zealand Festival. Right from the get-go you know that the Brisbane-based circus company Circa is going to entertain you. The tongue-in-cheek delivery of every acrobatic twist and turn of […]
Blue Leap [by James Wenley] Under Red Leap’s outstanding vision the sea is a phenomenon of awe: a place of wondrous beauty, unrelenting power, but also, poignantly, of great fragility. In Sea human kindness, resilience, and cruelty is set against the wild untameable force and fate of nautical nature. Red Leap’s reputation has been built on the company’s debut The Arrival […]
Pasefika (As you like it) [by James Wenley] Wellington is Festival City. You can tell because every street poster seems to be advertising an arts event. And there are heaps of them. No excuses for not knowing something is going down. Last week not only was the NZ Festival well into its mix, but the famous Wellington Fringe (per capita, the […]
Here I go again [by James Wenley] You should have a fairly good idea by now if you are inclined to enjoy Mamma Mia! Here’s a simple test: Do you like Musicals? Do you sing along every time ABBA comes on The Breeze? Do you have your own flared lycra jumpsuit in your wardrobe? If you answered yes to either of […]
Killer Father Ted [by Andrew Parker] If you knew nothing at all about Ireland or its people then chances are a trip to see Mark Power’s play The Slapdash Assassin would get you up to speed, or at the very least deter you from visiting anytime in the immediate future. One half of the Basement’s ‘Murder Season’, Assassin is a blackly […]
They also came and conquered [by Matt Baker] Completing the New Zealand tour of their award-winning fringe show, writers and performers Justine Campbell and Sarah Hamilton have brought a unique play based on fundamental storytelling to Auckland’s Basement Theatre. The disconsolation of extinction and the mystery of its validity is a major part of the interest in the Tasmanian Tiger, and […]
Stuck on you [by James Wenley] Eli Matthewson and Hamish Parkinson are endearing performers, and also rather talented doodlers. In two hander shows where actors play multiple characters, some shows will trust the actors to indicate character changes through physicality and voice, others might make a comic virtue out of rapid costume changes. These guys go one step better. The main […]
Copyright © 2024 | MH Magazine WordPress Theme by MH Themes