REVIEW: School of Rock: The Musical (The Civic)

September 9, 2019

[Essential Education] As we take our seats at the Civic we are immediately transported to the smoky bars of a bygone era synonymous with rock bands. The simplistic drum kit with brick wall backdrop is a clever device that instantaneously evokes that trip down memory lane. Instead of the customary ‘turn your cell phones’ announcement as the lights dim, we […]

REVIEW: Six Degrees of Separation (Auckland Theatre Company)

August 21, 2019

[Connect the Dots] John Guare’s 1990 play Six Degrees of Separation has helped to popularise the concept that we are all ultimately connected to one another.  The work also discusses how we often yearn to be connected to both famous and infamous individuals as a measure of the rich pageant of our lives. This critically acclaimed play has garnered numerous […]

REVIEW: I am Rachel Chu (Basement Theatre)

August 10, 2019

Here’s looking at you, Rachel Chu I Am Rachel Chu is a pleasure to watch. It is perfectly pitched for The Basement but has the ambition to travel further and spread the ‘crazy’ young Asian vibe that brings enjoyment, enlightenment and encouragement to anyone lucky enough to experience this fun-filled production. Taking inspiration from the book and film Crazy Rich […]

REVIEW: War Horse (The Civic)

June 24, 2019

Horseplay at its Finest The National Theatre of Great Britain’s War Horse is probably one of the most spectacular productions to be staged at The Civic to date. War Horse is mesmerising – bringing out the child in everyone as we watch the horses trot, canter and gallop in unison, without missing a beat. The life-sized puppet horses are truly a design marvel […]

REVIEW: Lovepuke (Auckland Fringe)

February 21, 2019

[Falling in and out of love (& puke)] Written by New Zealand playwright and screenwriter Duncan Sarkies (Scarfies, Two Little Boys) Lovepuke unashamedly focuses on love, sex and relationships. Premiering at BATS Theatre in 1994, this cleverly written piece of observational theatre continues to resonate as part of the 2019 Auckland Fringe. We have seen a multitude of performances where love is […]

REVIEW: Kooza (Cirque du Soliel)

February 16, 2019

[Oh to be a Child again…] We had forgotten how exceptional Cirque du Soliel is at creating a spectacle. The huge circus tent in Alexandra Park is reminiscent of a Big Top that transports us to our childhood in a flash – the rake of the seating, the ringmaster and clowns, beautiful people everywhere, the grease paint and sweat of […]

REVIEW: MADIBA the Musical (Bruce Mason Centre)

January 27, 2019

[Long Dance to Freedom] A pretty much full house at the Bruce Mason Centre on the lead up to a long weekend has to be a very good sign.  And it is clear that the decision to open MADIBA the Musical, a celebration of Nelson Mandela, in the heart of Auckland’s South African community is undoubtedly an astute move. Many […]

REVIEW: Here Lies Love (Silo Theatre)

November 30, 2018

[All that Glitters is not Gold] If you’re after a fun and entertaining end-of-year night out, Silo Theatre’s production of Here Lies Love is perfect. It is based on David Byrne and Fatboy Slim’s concept album Here Lies Love, about the life of the former First Lady of the Philippines Imelda Marcos. The performances from the five divas – Villette Dasha, Colleen Davis, […]

REVIEW: WMBADx: Ideas Worth Spreading (Basement Theatre)

October 8, 2018

[Performers Worth Watching] WMBADx: Ideas Worth Spreading (WMBADx) is a perfect Basement show: a symbiosis of the weird and wonderful, with unexpected freaky twists and turns along the way. Billed as a ‘TEDesque’ experience, this show epitomises a TED Talk gone wrong in practically every way.  From the script, lighting, to the trolls, every aspect is pivotal in creating a […]

REVIEW: Sightings (Massive Company)

July 27, 2018

[Unclear Sightings] Morphing through different movements and times, Sightings is a non-linear story centred around one night out. Five young actors deliver a number of twist and turns, essentially through the eyes of Nora (Akinehi Munroe) and Chilli (Ebony Andrew). A product of a writing team comprising Miriama McDowell, Fiona Graham and Denyce Su’a, this new script is a reflection of its various […]

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