REVIEW: Gavin puts things straight

May 5, 2011

Clear eye for the straight guy [by Sharu Delilkan]  It’s not often that North Shore residents get the opportunity to see a play that offers an eccentric and a somewhat exaggerated reflection of themselves.   But being a Shoresider himself playwright Andy Saker provides the perfect perspective that at times makes the audience cringe due to the harsh reality of the […]

REVIEW: Faux Real (Comedy Festival)

May 4, 2011

Are you faux real? [by Sharu Delilkan] When I arrived at the Herald Theatre I was a little disappointed with the small number of people in the foyer. “I’m early I told myself”.  But unfortunately that didn’t change as we filed into the venue to take our seats. I actually counted 35 people in total, including me and my husband, […]

REVIEW: Mike & Virginia (Comedy Festival)

May 4, 2011

When Mike met Virginia [by Sharu Delilkan] Everyone knows When Harry Met Sally so when the show opens using the movie as an example of a romantic comedy (or a romcom) it sets the stage perfectly for what’s to come. Mike & Virginia is written by veteran screenwriters Kathryn Burnett & Nick Ward, who are making their debut into the […]

REVIEW: Boys’ Life (Outfit Theatre Company)

April 14, 2011

Blokes behaving badly [by Sharu Delilkan] If you’re looking to see a show with balls Boys’ Life is definitely it. The play follows the drunken, nihilistic excesses of three American youths through their quest to embrace responsibility, seek partnership and come to a realisation of their place in the world.  Boys’ Life reminds the audience of their journey from adolescent confused […]

REVIEW: The Show Must Go On (Auckland Arts Festival)

March 18, 2011

Turning the tables [by Sharu Delilkan] Of all this year’s festival shows The Show Must Go On has to be the most memorable.  Not for acting, lighting, staging, music, writing, dialogue (there is none) or dance, but the real and raw effect it has on the audience. Descriptions such as ‘challenging’, ‘groundbreaking’, ‘brave’ and ‘provocative’ come to mind but I’ll […]

REVIEW: The Manganiyar Seduction (Auckland Arts Festival)

March 11, 2011

Think inside the square [by Sharu Delilkan] In the bar prior to the performance someone said “Are you ready for ‘Indian Celebrity Squares’?”. And that was exactly the structure of the musicians we were greeted with onstage, with nine musicians across by four storeys high, revealing a whole grid of musicians who were eventually collectively lit. This was the beginning […]

REVIEW: Big Story, Small Space (Auckland Fringe)

March 10, 2011

Which genius lit the world? [by Sharu Delilkan] As the audience pile into the ‘small space’ I couldn’t help thinking ‘How many more can you fit in?’.  But the constant stream keeps flowing and eventually the show’s co-writer and director Pip Smith bellows ‘I’ve added a chair at the end of that isle across the stage but can I make […]

REVIEW: Drowning in Veronica Lake (Auckland Fringe)

March 8, 2011

Veronica lives on! [by Sharu Delilkan] Alex Ellis has got the whole package – the petite frame, platinum blonde hair and Veronica Lake’s signature peek-a-boo bangs, which became a phenomenon in the 1940s. She may be a lot taller than Lake was in real life (5 ft 11 in instead of 5 ft 2 in) but that doesn’t detract from […]

REVIEW: Xerxes (Auckland Arts Festival)

March 4, 2011

Xerxes ‘Handel-ed’ at its best [by Sharu Delilkan] King Xerxes could well be likened to an 18th-century Mr Bean, with a cruel streak. Australian-born counter tenor Tobias Cole, who plays the lead has a crystal clear voice that’s juxtaposed against his ‘Mr Bean-like’ dramatic facial expressions. Before I proceed I must admit this is my first experience of Xerxes – […]

REVIEW: Opera Risque (Auckland Fringe)

March 2, 2011

Rocky Horror Opera Show [by Sharu Delilkan] The poster of Opéra Risqué, definitely promised naughtily attired girls singing opera in Moulin Rouge style lingerie.  And the diverse crowd waiting outside at 5.30 pm were obviously anticipating a mischievous evening. The trepidation was heightened by the sight of scantily clad women appearing and disappearing at the box office like fleeting flights […]

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