REVIEW: Guy Williams: I Wanna Hear what I Have to Say (NZ International Comedy Festival)

May 19, 2018

[One Guy on Stage] Guy Williams is a household name that most Kiwis recognise by now, particularly being of Jono and Ben fame. His comedy career spanning almost a decade has been nothing short of impressive, making him a regular at the NZ Comedy International Festival in Auckland and Wellington. Hence expectations were high at opening night.  But for some reason we […]

REVIEW: Mrs Warren’s Profession (Auckland Theatre Company)

May 10, 2018

[Working Title] Mrs Warren’s Profession was way ahead of his time – written by George Bernard Shaw in 1893, it was initially banned for the stage, and didn’t debut until nine years later. In Auckland Theatre Company’s production, a stellar cast (headlined by Jennifer Ward-Lealand) and talented creatives (led by Director Eleanor Bishop, known for deconstructing classic dramatic texts) promised […]

REVIEW: PUSS (NZ International Comedy Festival)

April 28, 2018

[Here puss, puss, puss!!!] Opening night’s show was an absolute riot even before it began.  Some silly backstage antics were embraced with open arms by the warm audience that we were sitting amongst.  And while everything went swimmingly well throughout the show, we can’t help but wonder whether an audience sans family and friends will be as receptive. However, once […]

REVIEW: Alex Williamson: So Wrong, It’s Wrong (NZ International Comedy Festival)

April 28, 2018

[The King ‘Cnut’ of Comedy] Alex Williamson is crude, vulgar, perverted, sick and disgusting – perfect fodder for hilarious comedy. No holds are barred, literally. In fact, the less socially acceptable a subject is, the more likely for him to talk about it on stage. In a strange way his relaxed, laconic delivery almost sanitses this foul-mouthed show – making everything […]

REVIEW: The Naked Samoans Do Magic (Auckland Arts Festival)

March 24, 2018

[Truly Naked Magic] Although fully clothed at all times, The Naked Samoans are well and truly naked on stage in their latest show – their first together in many years.  They don’t try to hide the fact that they are novices at magic. In fact, it is their bare-all attitude that endears them to the audience. Watching people walk into […]

REVIEW: Bless the Child (Auckland Arts Festival)

March 10, 2018

[It Couldn’t Happen Here] The work of Tawata Productions is notable for showcasing topical issues. The kōrero of Bless the Child is no different. This dark, albiet vital work reveals the world that we’re part of, where our tamariki are not always protected by their whānau. Written by the acclaimed Māori writer Hone Kouka, Bless the Child shines a spotlight on this […]

REVIEW: Cool Behaviour (Auckland Fringe)

February 23, 2018

[Cool As!] It was with great trepidation that I walked down the stairs to Q’s Vault to watch Cool Behaviour. Like many in the audience, I’m sure, the questions were whirring around in my mind.  Foremost of which was, “Am I cool enough to even be here?” That ‘coolness’ is a state of being which a majority of the human […]

REVIEW: Under the Mountain (Auckland Theatre Company)

February 11, 2018

[Mountain-eerie] Written by Maurice Gee in 1979, the story of Under the Mountain takes many of back to our childhood bookworm days, our imaginations set ablaze by children’s adventure stories such as The Famous Five, Where the Wild Things Are, The Adventures of Tintin, and Swallows and Amazons. The plot is a truly Kiwi story,  inspired by the land and […]

REVIEW: The Auckland Pride Gala 2018

February 3, 2018

[Bursting with Pride] Attending the Auckland Pride Gala is always a treat – especially since you never know what you’re gonna get. And this year, marking the 6th anniversary of the Auckland Pride Festival, was no different. In fact it was particularly brilliant because not only were we given a snapshot of the festival’s highlights, but there were also a […]

REVIEW: Wired (Okareka Dance Company)

January 26, 2018

[Wired Inspired!] Contrary to what the imagery of the show’s publicity depicts, Wired contains no visible or physical wires. However, the intertwining of wires via the dancers’ relationships is very much inferred throughout the show, delivered with great aplomb. Choreographers Sarah Foster-Sproull, Taane Mete and Taiaroa Royal have created a number of beautifully interwoven dance pieces that are a sight […]

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