REVIEW: RAW! ASMR (Auckland Fringe)

September 1, 2022

[Gonzo! The musical] Autonomous Sensory Meridian Response (ASMR) refers to specific audio-visual stimuli which cause an individual to experience a tingling sensation around the head and the back of the head.  Outside of youtube recommendations and advertisements, I have almost no experience with ASMR. That ignorance was hammered home about 0.5 seconds into the show when creator/performer Amy Atkins asked […]

REVIEW: Grief-Sex-Race (Auckland Fringe)

August 31, 2022

[Laughing Through It] Grief, sex and race are not only three distinct words that sum up the themes and talking points of this comedy-musical, but the show also amalgamates them together to describe a unique experience and state of mind: the grief-sex-race. Creators and performers Jess Karamjeet and Sophie Gibson share fragments of their lives with us, centred around their […]

REVIEW: Over my Dead Body: Uninvited (Tuatara Collective)

April 19, 2021

[Rainbow Visions] Having seen the last Tuatara Collective production Fresh Choice, I enter the Q loft with high expectations for a remount of the 2019 play by Jason Te Mete. The intriguing ‘front room’ set – tatty brown sofas, and wall adorned with a Justin Bieber poster – makes me feel as if I’m a guest at a twenty-something’s house-party, […]

REVIEW: Godzonia (Auckland Fringe)

April 17, 2021

[No place I’d rather be] A play about the Covid-19 pandemic that was itself postponed due to the February 2021 lockdown, Godzonia‘s delayed season manages to reframe what could have been a dead-end for the production.  Written by UK actor and writer Georgie Oulton, the production takes inspiration from Flares and Pitchforks – a text co-written by Oulton with fellow actor […]

REVIEW: Coded (Auckland Fringe)

April 1, 2021

[A Clear Message of Empowerment] Coded, the second production in two productive years from theatre-maker Erin O’Flaherty (following An Organ of Soft Tissue), is a solo show which aims to journey into female sexuality through the perspective of a malfunctioning AI bot. The production debuts at TAPAC as part of a rescheduled program within the Auckland Fringe Festival, and uses […]

REVIEW: Standard Acts (Auckland Fringe)

March 13, 2021

[For Women to wrestle with…] There’s a large black square mat in front of us. A small table sits behind it, with a bottle of champagne, two glasses, and a tape deck on top. Karin McCracken and Arlo Gibson enter the sparsely designed space, both donned in workout gear and knee-pads, and we wait for someone to speak. The anticipation […]

REVIEW: Birdland (Auckland Fringe)

February 28, 2021

[Back in the Cage] Content Notification: Sexual Assault Did you hear about the big star whose only friend is his lawyer? The former sitcom actor who attends a homophobic church? The Oscar nominee who has his own cult? The square jawed wannabe leading man who’s into non-consensual cannibal fantasies? Well, of course you have.  Celebrity was once this unknowable, almost […]

REVIEW: Outta the Mouths of Babes (Auckland Fringe)

February 28, 2021

[Speaking Freely] This year Basement theatre offered the provocation to artists of making documentary theatre for Fringe 2021. This is intended to democratize the theatre space; to make it more accessible and less elite. To put the lives of the everyperson front and centre and explore notions of authenticity. Outta the Mouths of Babes centres Jude Lowry, “a mother, grandmother […]

REVIEW: Scientists Teach an A.I. about Humanity (Auckland Fringe)

February 25, 2021

[A.I. Acting Up] Highly interactive and deeply irreverent, Scientists Teach An A.I. About Humanity: A Sci-Fi Comedy offers a much needed evening of shared laughter and ridiculousness. Writers and performers John Donnan, Patrick Shanahan, and Natasa Popovic, deliver their show in the form of a ‘scientific symposium’. The symposium is hosted by the ‘professors’ Donnan, Shanahan, and Popovic who stage […]

REVIEW: GHOST MACHINE (Auckland Fringe)

February 24, 2021

The Anxious Ghost As the audience enters the Basement theatre there is an anxious ghost waiting for us. It flaps its ectoplasmic limbs about and counts the people attending with neurotic urgency. Apparently even the dead need to worry about ticket sales. In fact, as we’re about to discover, this luminescent spectre is a bit nervy about a lot of […]

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