REVIEW: Take Back the Hood (Auckland Fringe)

February 21, 2015

Back to the Hood [by Guest Reviewer Tim George] At its core, a good story, whatever the medium, gives its audience a question that it will hopefully provide an answer for by the resolution. Take The Godfather. Can a man separate himself from his past and his family, or is he destined to fail? The journey from question to answer is what […]

REVIEW: Keep out of my Box (and other useful advice) (Auckland Fringe)

February 20, 2015

Here’s some free advice for you [by Matt Baker] Spend enough time at The Basement and you’ll get to know the staff there. Spend even more time and you’ll find that some of them have talents beyond your expectations. Such is the case with box office manager and actress Torum Heng. I’ve seen Heng on stage before, but it wasn’t until […]

REVIEW: Caterpillars (Auckland Fringe)

February 20, 2015

Comedy Metamorphosis [by Guest Reviewer Tim George] Caterpillars is a story with two tales. On one level, it is meant to be an imaginative, artistic, and yes, somewhat pretentious art piece evoking the life cycle of a butterfly through a combination of puppetry and music. On another level it is the story of how two hapless puppeteers can completely screw it […]

REVIEW: Grounded (Auckland Fringe)

February 19, 2015

Target Locked [by Guest Reviewer Rose Archer] George Brant’s script of Grounded is so extraordinary that if nothing else it is absolutely worth going to see such a wonderful piece of writing come to life. Grounded is a complex and moving portrayal of one female pilots struggle with motherhood, marriage, and being ‘grounded’ as a drone-pilot. Essentially an hour-long monologue, the […]

REVIEW: Puzzle (Auckland Fringe)

February 19, 2015

For Ages 8 to 80 [by Guest Reviewer Andrew Parker] Everyone wants to belong. But, of course, “belonging” often means that you have to belong to something or someone, which doesn’t sound so desirable. This unfortunate paradox is the central thread of Ben Anderson’s Puzzle (directed by him and Seamus Ford), a play which looks at the question of whether it […]

REVIEW: Away from Home (Auckland Fringe and Auckland Pride Festival)

February 18, 2015

Fever Pitch [by Tim Booth and Sharu Delilkan] Kyle: Who’re ya? Who’re ya? Who’re ya? So goes the football terrace chant setting Away from Home‘s pace and rhythms – a crisp production featuring Rob Ward‘s striking performance; fast-paced writing – tackling acceptance, isolation, love, rejection and poignantly unexpected acceptance. Delivered by Ward with co-writer/ designer/director Martin Jameson. The initial similarity […]

REVIEW: Beast (Auckland Fringe)

February 16, 2015

The Mark of the Talented Performer [by Matt Baker] While the rise of clowning in the Auckland theatre scene is gaining momentum, Taylor Hall’s solo show is nonetheless a unique theatrical experience. An Auckland season of a Toi Whakaari monologue-derived solo-show  is a common one, but what Hall has created is a show that is a true culmination of all his training, […]

Auckland Fringe 2015: Week Two Schedule and Daily Picks

February 16, 2015

Living Life on the Fringe [by James Wenley] Here’s Theatre Scenes day by day break down for Week Two of the Fringe, with everything nicely in one place (and way less annoying to scan then the Fringe website’s calendar!) Monday 16 Feb City: 5:30pm The Basement – Gift of the Gab 7pm The Basement – Beast 8:30pm The Basement – Robin Goblin Suburbs: 7pm Portland Public House […]

REVIEW: Break Up (We Need To Talk) (Binge Culture and Auckland Fringe)

February 16, 2015

Come back here [by Matt Baker] Walking out of the theatre is the strongest statement an audience member can make, and I have never regretted it until I walked out of Break Up. To clarify, the six-hour show allows its audience to come and go as they please, and it was only due to personal commitments that I left after the […]

REVIEW: Gift of the Gab (Auckland Fringe)

February 14, 2015

Mouthful [by Matt Baker] When a friend asked me what Gift of the Gab was about, it took more than a few run-on sentences and backtracking to explain. If you can’t describe a show in one or two sentences at the least, something is wrong with the plot. That’s not to say that the show doesn’t make sense, simply that the […]

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