REVIEW: Little Black Bitch (Basement Theatre)

July 6, 2019
Howl of the Kurī Little time, little knowledge. Are we making ourselves heard? Are we putting in effort to be heard? Are we listening? Just like demons, emotions can blind and turn our minds and our souls BLACK. We take our time to react and fully don’t set in motion until the deed is done and it is too late. […]

REVIEW: The Wolves (Silo Theatre)

July 3, 2019
[Bend it like who?] There’s an ongoing frustration in theatre when it comes to female roles that has been addressed over and over again. Even in 2019 it’s uncommon to witness complex female characters on stage, let alone with an all female cast. This winter Silo Theatre leads the charge by delivering us Sarah DeLappe’s Pulitzer Prize nominated play The Wolves. […]

CHRISTCHURCH REVIEW: Les Liaisons Dangereuses (The Court Theatre)

June 27, 2019
Best Served Cold There’s something timeless about the deceitful machinations that run through Les Liaisons Dangereuses. The French epistolary novel, originally published in 1782, and adapted by Christopher Hampton, has the Wildean wit of a sharp knife dipped in poison. The dastardly duo at the center of the play, the Marquise de Merteuil (Eilish Moran) and Vicomte de Valmont (Fergus […]

REVIEW: War Horse (The Civic)

June 24, 2019
Horseplay at its Finest The National Theatre of Great Britain’s War Horse is probably one of the most spectacular productions to be staged at The Civic to date. War Horse is mesmerising – bringing out the child in everyone as we watch the horses trot, canter and gallop in unison, without missing a beat. The life-sized puppet horses are truly a design marvel […]

REVIEW: A Fine Balance (Auckland Theatre Company)

June 21, 2019
[A Fine Partnership] A Fine Balance is a wonderful collaboration between the Auckland Theatre Company and Prayas Theatre that successfully stages diverse stories and bodies that are not heard or seen often enough on Auckland’s mainstages. With Q Rangatira configured as theatre in the round, with seating banks on four sides, the performance begins with a woman bent low, sweeping […]

REVIEW: MANIAC on the Dancefloor (Basement Theatre)

June 15, 2019
[Dancing like she’s danced this dance before] Advertised as a ‘bangers-fuelled, hour long rave – making a song and dance about recovery,’ MANIAC On The Dancefloor is in fact a raw and impactful account of writer Natasha Lay’s lived experience of bipolar and emphasises the simple truth that one does not ‘recover’ from mental illness but forges an ongoing battle […]

REVIEW: Meera (Wild Dreamer Productions)

June 2, 2019
[An Underwhelming Spectacle] The story of Meera may not be well-known to an Auckland-based audience – a young woman who is betrothed in childhood to the mischievous Krishna, the cowherd incarnation of Vishnu in classical Vaishnav tradition. Meera then faces endless struggles in reconciling herself to others’ expectations as she progresses through life. Wild Dreamer Productions promise ‘a celebration of tender […]

REVIEW: Yes Yes Yes (Zanetti Productions)

June 1, 2019
[Consent Culture] Yes Yes Yes is an inclusive, socially conscious one-act play eighteen months in the making. Commissioned by Auckland Live, it is based on the creative team of Eleanor Bishop and Karin McCracken’s previous production Jane Doe, which examined rape culture and consent on university campuses. Yes Yes Yes is designed specifically for Year 12 and 13 students in […]

REVIEW: An Illiad (Auckland Live)

May 30, 2019
[I have Wept with Hecuba and Raged with Achilles] Standing on the ramparts of Troy we look out to sea, across the furrowed stretch of land between city and sand littered with bodies – the bodies of men and boys, mostly boys that we once knew – to the angry cluster of Greek ships; above us, the gods bicker. In […]

CHRISTCHURCH REVIEW: Juliet & Romeo (D4)

May 24, 2019
[Shakespearean Speed Run] I don’t really have much time for new productions of Shakespeare these days, especially when it comes to productions that are done in a so-called traditional manner. We live in an age where pretty high quality interpretations of these classics exist, yet are still performed ad nauseam in our cultural landscape. Romeo & Juliet is a particularly […]
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