REVIEW: Little Shop of Horrors (ATC)

November 5, 2012

Triffically Entertaining [by Matt Baker] Anyone who has an appreciation of ‘60s doo-wop or classic musical theatre will be entertained by ATC’s production of Little Shop of Horrors, because it is the musical talent that not only carries this show, but gives it some emotional depth and journey. While the entire creative team jointly recognises and illustrates their influences and […]

REVIEW: Manawa (The Basement)

October 29, 2012

Do the Time [by James Wenley] “New Zealand tales great care of birds and trees and it is almost a capital offence to cut a branch off a tree, particularly a Pohutakwa. Sadly, the justice system doesn’t take care of vulnerable babies and young women. Haven’t we got something wrong here?” – Letter to the Editor, NZ Herald. 23.10.2012 Everyone has an […]

REVIEW: The Likes of a Loveless Dogwasher (The Basement)

October 18, 2012

Give this Dogwasher some love [by James Wenley] In the same week that the Mary Poppins juggernaught opens at The Civic, there’s another Musical up the road playing at The Basement. The work of Toi Whakaari acting graduates Adrian Hooke and Hayley Brown, The Likes of a Loveless Dogwasher is a charmingly lo-fi and accessible Musical comedy. What they lack […]

REVIEW: Third Person,Tense! (The Basement)

October 17, 2012

First person pro [by Matt Baker] It’s been eight years since Stephen Papps wrote and starred in his own solo show, and I can honestly say is it’s a pity that it’s taken this long for him to do so again. In saying that, Third Person, Tense! is not technically a solo show. It’s billed as ‘a solo show with […]

REVIEW: A Frigate Bird Sings (Southside Arts Festival)

October 13, 2012

Fa’afafine = fabulous and fine [by Sharu Delilkan] I have to admit that when A Frigate Bird Sings premiered at the 1996 New Zealand International Arts Festival I didn’t get the chance to see it, for the simple reason that it was before I migrated to Aotearoa. So I was keen to see what all the fuss was about with […]

REVIEW: Big Mouths [AKA, Come to our show or we’ll punch you]

October 10, 2012

Big Ups [by Matt Baker] Developing third year solo pieces is becoming an increasingly viable option for recent drama school graduates. Such is the case with Toi Whakaari grads Phoebe Hurst and Emma Fenton’s double bill show Big Mouths, but where others have stretched their content into an hour-long full-length production or a feature film script, Hurst and Fenton have kept […]

REVIEW: The Sex Show (Outfit Theatre Company)

October 8, 2012

Pink, Wet, Complicated [by Rosabel Tan] When I tell a guy at work I’m going to The Sex Show, he laughs. “You’re not,” he says. He pauses. “You are.” “I am.” He looks disappointed and mildly confused. “Do you want to come?” “Not really,” he screws up his nose. “Maybe.” It’s an interesting reaction and there are plenty more to come, […]

REVIEW: Terror Island

October 6, 2012

Terribly amusing [by Matt Baker] Devised from an eclectic range of hit pop songs from across the decades, I was pleasantly surprised with how well a narrative the collaborative team of Fingerprints & Teeth Productions and Dynamotion were able to create for the dance/theatre show Terror Island. Starring Lara Fischel-Chisholm as Lara, Jennie Robertson as Jennie, and Tom Sainsbury as Tom […]

REVIEW: The Like Minds Big reTHINK

October 4, 2012

I’m thinking… [by Matt Baker] Next week is Mental Health Awareness Week, and what better way to generate awareness than with a show about mental health? The Big reTHINK, conceptualised in 2009 and currently run by producer and creative director Taimi Allan, combines theatre, dance, comedy, film, and music, in an effort to enable awareness for the general public.  The […]

REVIEW: Bucket Boy (I’m not Content Productions)

October 4, 2012

There’s more than one hole in it [by Matt Baker] After a 30-minute delay due to technical difficulties, we were finally ushered into the Basement loft, but not before being told that we were about to see the ‘greatest show of our lives.’ It was a bold and conceited statement, and one to which the show does not live up. […]

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