Keep Calm and Party On [by James Wenley] The promotional blurb has boldly led with the Channel 4 Quote that Abigail’s Party by Mike Leigh is the “most painful hundred minutes of British comedy”. You can understand why. The guests of the party are hardly the type of people you’d otherwise willingly want to spend that amount of time with. […]
I’m on it [by Matt Baker] Cross-gender and cross-racial casting, an era-specific time relocation, and characters represented by dolls or never seen at all are three fundamental theatrical constructs employed by Caryl Churchill to present the themes of sexuality, oppression, and identity in her 1979 play, Cloud 9. Such constructs illustrate said themes to the audience in a blatant and […]
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