Labyrinth and 500 Days of Summer? Skip the films, see the plays… [by James Wenley]
When I interviewed Chris Neels on Theatre Scenes for Skin Tight in June he mentioned that he was working on two shows for a double bill at the Basement theatre in August. “Last year the Basement put out a call for proposals and I thought… oh shit, next year I’m going to be an actor and if I’m not performing at the Basement I’m not an actor. That’s what real actors do, they go to the Basement!”
And to the Basement he went, but, as it turned out, not as an actor. According to Chris’ logic, he might not be a ‘real’ actor yet, but he deservedly should call himself a ‘real’ director and playwright.
Elephant Nation’s two plays are a tantalising prospect. First is the Terrific Tale of Tabatha Talmus, billed as a fantasy for fans of ‘Labyrinth’ and ‘The Never Ending story’, its devised by the cast and directed by Neels with collaboration from dance collective Sweaty Heart Productions. Then Chris writes and directs These are the Skeletons of Us, which stars (if I may be so bold) some of the best young actors working in Auckland – Andrew Ford, Colin Garlick, Chelsea McEwan Miller and especially Nic Sampson.