REVIEW: Bard Day’s Night (The Basement)

May 23, 2012
Shakespeare Nerd’s Dream [by James Wenley] [EDITOR’S NOTE: Subsequent to this 2012 season, the Michael Hurst’s show has been renamed for a third time as No Holds Bard, see Sharu Delilkan’s review of its 2013 return Basement season.] Michael Hurst looks like he’s just stepped off a poor imitation of a Shakespearean stage: black doublet, tights, a particularly foppish wig, and…. […]

Looking Back: 2011 – A Theatrical year in Review

December 29, 2011
Q opens in triumph, Fringe overshadows Festival, Outfit Rise, Rugby, Rugby, Rugby, and the Death of the Theatre. [by James Wenley] Attending the recent Hackman Theatre awards, Auckland Theatre circa 2011 would appear to be in rude health. Rude being the word, hosts Nic Sampson and Joseph Moore proudly observing it was a record year of nudity on stage, from […]

REVIEW: The Waste Land (ATC Participate)

December 13, 2011
April is the cruelest month… [by James Wenley] Last week I was fortunate enough to experience a profound theatrical event. It’s been a few days now – most productions wash off soon after viewing – but in this one I keep returning to its moment in my head. I find experiences like these are all too rare, but it’s what […]

REVIEW: RED (Auckland Theatre Company)

June 8, 2011
 “What do you see?” [by James Wenley] I’ve started with a quote. “What do you see?” It’s the first line of RED by John Logan (he of Gladiator and The Aviator fame) , presented by the prestigious Auckland Theatre Company, starring theatre luminary Michael Hurst and directed  by Mr. Oliver Driver. Sterling credentials all. “What do you see?” says Hurst […]
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