Honestly, Iago... [by James Wenley]
It might be called Othello, but this one is very much Iago’s show.
Iago, the villain in Shakespeare’s Othello, has long threatened to outshine the titular tragic hero. Shakespeare for one gave him substantially more lines and a relentless destructive driving force, plotting to destroy the Moor that he says he hates. Why Iago does what he does has forever been debated by the academics, and his motivations make him a continually fascinating character, an interpretative draw card for directors and the actors who play him. This is not to diminish Othello’s story, rich in its own issues of identity, difference and the tragic fall, but Iago is far more fun. Especially, in Jesse Peach’s production.