Seven Deadly Narrative Sins [by James Wenley] In a secular society, what does it mean to sin? When you are encouraged to take whatever you want, who decides mortal morality? If there’s no-one there to judge you, who is there to stop you? In Outfit Theatre Company’s devised show around the seven deadly sins, what is striking is that religion […]
Back in the Hood [by Matt Baker] Following a twelve month hiatus, The Outfit Theatre Company returns to the stage with possibly their most commercially and critically successful of enterprises; the kids’ holiday show. The ensemble nature of the company’s management has been reduced to the show’s producers; Sarah Graham and Ema Barton, seemingly in exchange for a plethora of writers; […]
Taking the Risk [by James Wenley] “…It was this lack of “weight” (a not too easily defined term which an actor, if not a member of the audience, would understand) that Mr George Henare needs to work on if he wishes to pursue the acting profession. His is a good, powerful voice, he has strong features… yet a lot of […]
The title tells you all [by James Wenley] The ‘awkward’ brand of humour is one well known to audiences. Popularised in modern times by the Ricky Gervais School of comedy, it employs cringe, painful pauses, and a whiff of nastiness to sell its humour. Thomas Sainsbury has long done his own successful spin on the genre, and is a great […]
Pink, Wet, Complicated [by Rosabel Tan] When I tell a guy at work I’m going to The Sex Show, he laughs. “You’re not,” he says. He pauses. “You are.” “I am.” He looks disappointed and mildly confused. “Do you want to come?” “Not really,” he screws up his nose. “Maybe.” It’s an interesting reaction and there are plenty more to come, […]
If this is a kid’s show, consider me a big one! [by James Wenley] Outfit Theatre Company have turned their devising smarts on Lewis Carol’s Alice in Wonderland story. I’ve never been to one of Outfit’s School Holiday shows, so was very curious to see how their upstart (and often dark) style would translate for children. As we enter TAPAC […]
Drugs are bad, mmmkay? [by James Wenley] You just know that things are going to come crashing down in Course Related Costs, the only questions are how, and how badly. The set-up is this: After the mainstay of the student drinking budget, ‘course related costs’ has dried up, Pete, Monty and AJ have installed a P lab in their flat. […]
Teen angst on overdrive [by James Wenley] Pity the British teenager. There’s something about the British school system that has seen it spawn more than its fair share of films, television and plays eviscerating the subject. Alan Bennett’s thoughtful The History Boys, which Punk Rock has been compared to, took a fairly noble approach to student’s studying their final exam. […]
What will the 2012 Auckland Theatre Scene bring? [by James Wenley] The Auckland Theatre Scene goes deadly quiet in January. In my last post, as I looked back on 2011, I was grateful the curtain had dropped on a particularly busy year for theatre. Now, however, I’m firmly suffering theatre withdrawal. Luckily, the hopeful promise of 2012 productions keeps me […]
Q opens in triumph, Fringe overshadows Festival, Outfit Rise, Rugby, Rugby, Rugby, and the Death of the Theatre. [by James Wenley] Attending the recent Hackman Theatre awards, Auckland Theatre circa 2011 would appear to be in rude health. Rude being the word, hosts Nic Sampson and Joseph Moore proudly observing it was a record year of nudity on stage, from […]
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