[Theatre by the Numbers] 150,000 Aucklanders can’t be wrong, right? These are the approximate combined totals of audiences who flocked to the Pop-up Globe and Pleasuredome: The Musical in 2017. Compare that with the record-breaking 130,000 who went to Adele’s Auckland concerts this year. And that’s not even including the Globe’s jump across the Tasman, where their productions are still […]
[Charged Space] For those that have seen Julia Croft in If There’s Not Dancing in the Revolution, Then I’m Not Coming, you can think of Power Ballad as its angrier, less-forgiving sister. Back again after its season in the Auckland Fringe (reviewed by Nathan Joe), Power Ballad is fundraising to go all the way to the Edinburgh Fringe. It is intentionally difficult to […]
[Language Games] Julia Croft’s If There’s Not Dancing at the Revolution, Then I’m Not Coming used feminist film theorist Laura Mulvey as the jumping off point for a riotous deconstruction of female representation in our popular media. It put those common tropes we often take for granted under a critical lens and scrutinised the hell out of them, all while […]
Copyright © 2024 | MH Magazine WordPress Theme by MH Themes