REVIEW: Cloud 9 (Good Company)

April 4, 2013
I’m on it [by Matt Baker] Cross-gender and cross-racial casting, an era-specific time relocation, and characters represented by dolls or never seen at all are three fundamental theatrical constructs employed by Caryl Churchill to present the themes of sexuality, oppression, and identity in her 1979 play, Cloud 9. Such constructs illustrate said themes to the audience in a blatant and […]

REVIEW: Glorious

November 2, 2011
Sexual Tension as thick as Magnolia Perfume [by James Wenley] It’s a classic formula, and one we are all familiar with: a miss-matched couple, often from vastly different backgrounds or social spheres meet, bicker, bicker some more, swear they hate each other, then admit their enduring love and affection. Jane Austen for one knew that hate was the secret to […]

PREVIEW: Glorious at The Basement

October 28, 2011
In Glorious Anticipation  [by Sharu Delilkan] When I met up with director Sam Shore at his quaint Eden Terrace home the first thing I had to ask him was why he was ‘remounting’ and not directing Richard Huber’s Glorious. He lost no time explaining that he didn’t feel comfortable taking credit for all the play’s direction, having come into the […]

REVIEW: Boys’ Life (Outfit Theatre Company)

April 14, 2011
Blokes behaving badly [by Sharu Delilkan] If you’re looking to see a show with balls Boys’ Life is definitely it. The play follows the drunken, nihilistic excesses of three American youths through their quest to embrace responsibility, seek partnership and come to a realisation of their place in the world.  Boys’ Life reminds the audience of their journey from adolescent confused […]