REVIEW: The Seven Funerals of Charlie Morris (Elephant Nation)

Dying of Laughter [by James Wenley]

On a routine visit to the hospital after a blow to the head caused by his best friend re-enacting Fight Club, Charlie Morris is informed he has a terminal illness, and his days are numbered.

Now that is a profound life changing moment; too big to even begin to understand for people outside of it. When Charlie Morris tells his friends that he is dying, they’re immediate response is to say “Well, we’re all dying”. Charlie’s “just became more relevant”.

Thanks to many films and TV on the subject, there’s an awful lot of cliché associated with this sort of news too. Think the sort of plots (eg: The Bucket List) where the news spurs them to start living their life to the full, learning some important lessons along the way, and we end with a sad, but ultimately life affirming message.

Chris Neels’ new play The Seven Funerals of Charlie Morris acknowledges, then bypasses the cliché, dealing with a young man’s imminent mortality with sensitivity, honesty, and a thick coating of black humour. The subject matter may sound like a downer, but it’s treated with a truthful lightness and serious fun that that makes for truly charming and enjoyable story. And yes, the ending might even be a little life affirming too. It made me want to stand up cheer – but more on that later.

Charlie (Ash Jones) is being introspective in a bath tub as the audience enters the Basement Studio. A piano is cleverly hidden behind it, played live by Sean Webb, whose music through the play helps makes it sparkle. Chalk drawings on the walls suggest bathroom tiles and towel rack.