Download Incomplete – Error Occurred [by Matt Baker] There is a fine line between playwrights providing what is necessary outside of dialogue for practitioners to convey the meaning of their story, and prescribing the text because they cannot see it any other way. On one hand, theatrical theories, conventions, and practices can shift dramatically over the years, leading to limited explorative opportunities […]
Shh…don’t tell anyone [by Sharu Delilkan] Sometimes the fact that a play makes you think, can be as important as what you actually think about the play itself. This for me was the case with Silo Theatre’s latest production White Rabbit, Red Rabbit, written by young Iranian playwright Nassim Soleimanpour. The piece refreshingly challenges the traditional structure of a play […]
Rejoining the tribe [by Sharu Delilkan] Although it has been almost four years since her Silo debut, Fern Sutherland still remembers the experience as if it were yesterday. “It was my first gig out of [UNITEC] drama school and I was extremely nervous when I met Shane [Bosher]. I felt very insecure and was desperate to make a good impression,” […]
What will the 2012 Auckland Theatre Scene bring? [by James Wenley] The Auckland Theatre Scene goes deadly quiet in January. In my last post, as I looked back on 2011, I was grateful the curtain had dropped on a particularly busy year for theatre. Now, however, I’m firmly suffering theatre withdrawal. Luckily, the hopeful promise of 2012 productions keeps me […]
Q opens in triumph, Fringe overshadows Festival, Outfit Rise, Rugby, Rugby, Rugby, and the Death of the Theatre. [by James Wenley] Attending the recent Hackman Theatre awards, Auckland Theatre circa 2011 would appear to be in rude health. Rude being the word, hosts Nic Sampson and Joseph Moore proudly observing it was a record year of nudity on stage, from […]
Tartuffe for the 3D Generation [by James Wenley] If nothing else, Tartuffe is an experience. ‘This is not museum theatre’, warns/promises Silo Theatre in their bus shelter ads around town. I’m curious about what their definition is, because I certainly don’t feel like Auckland is ‘afflicted’ by productions of this type. Professional Shakespeare’s in period dress for example are the rare […]
Not your classic ‘bathroom’ drama [by James Wenley] In The Only Child, actor Stephen Lovatt spends most of his time in the bath. If this sounds like taking it easy as an actor, it is anything but. From the bathtub Lovatt, naked – physically and emotionally, delivers an intense performance as a father dealing with profound loss, grief and, most […]
A/S/L? [by James Wenley] One of the oldest forms of human communication meets one of its newest in I love you bro. And they aren’t much different at all. Silo Theatre’s current offering launches its ‘Second Cousin’ brand where they can “muck around with conventions to create work which is decidedly new and unlike anything you’ll see in our mainbill […]
Brooding tale of Brotherhood [by James Wenley] The Brothers Size is a play that ignites the senses. Playwright Tarell Alvin McCraney has been burdened with all sorts of praise, the voice of his generation, the savior of American theatre. He grew up in Miami’s deprived Liberty City housing projects, and has worked with such prestigious theatrical institutions as the Royal Shakespeare Company […]
“If our audience leaves the theatre and the first thing they say is ‘where are the car keys’ then we haven’t done our job.” [by James Wenley] TICKET GIVEAWAY: I have a double pass to give away for the opening night of Silo Theatre’s first production of the year ‘Did I believe it’ on Saturday 9th April . Details at the […]
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