REVIEW: Tennessee Retro (The Basement)
[Southern Discomfort] Of the three major post-war American playwrights, Tennessee Williams strikes me as the most emotionally rich and rewarding, a master observer of the human condition and poet of the stage. But, despite his influence and legacy, it tends to be The Glass Menagerie, A Streetcar Named Desire and Cat on a Hot Tin Roof that he is best […]