Fancy a Puck? [by James Wenley]
At the end of Shakespeare’s A Midsummer Night’s Dream, hobgoblin Puck famously excuses all that has gone before as a “weak and idle theme, no more yielding but a dream”. If so, it was a fantastic and crazy dream that the audience collectively dreamed in the theatre. While Puck undersells the thematic depths of the play, Auckland Theatre’s Company’s fast and furious streamlined show (no interval!) emphasises the fun and farce of love gone very, very wrong.
Midsummer Night’s Dream, though taking inspiration from several sources, is credited as being Shakespeare’s only original plot. It’s one of his most popular too – a comic plot that sees a love quadrangle of miss-matched Athenian youths Hermia, Helena, Lysander and Demetrius enter the woods, which also contains a group of amateur actors rehearsing a play for the wedding of Duke Theseus (Peter Daube) to his exotic bride Hippolyta (Goretti Chadwick), as well as being the home of mischievous fairies, reigned over by feuding lovers King Oberon (Xavier Horan) and Queen Titania (Alison Bruce).
I wish my own dreams looked like this. An almost unbearably bright red raked stage looks out at us, a fittingly unbalanced playing space which at various times the actors climb, slide and leap off. No subtly here then – the red of fervent passion and desire dominates. The gloriously styled black and white fashions of the four lovers – including Brooke Williams’ Hermia school girl burlesque chic topped with an upside-down cupcake tutu, and Josh McKenzie’s wrapped in a foppishly large bow tie and ankle high socks, take a bow designer Nic Smillie – gets considerably skimpier the longer the play goes on. Goretti Chadwick’s Hippolyta, going against received interpretation, is rather into her Theseus. And there are enough bare-chested men to rival the wolf pack of the Twilight films.
In Love with Shakespeare [by Sharu Delilkan]
It has been a journey of self-discovery for Xavier Horan, particularly since he has gone from being a ‘Shakespeare-phobe’ to acting in two of his plays within a matter of months.
Horan, who has recently performed at The Globe Theatre London in the ground breaking Maori production of Troilus and Cressida, is extremely excited about his role as Oberon in Auckland Theatre Company's latest production A Midsummer Night's Dream.
He is equally chuffed about being part of the 18-strong stellar cast which includes father daughter duo Stuart Devenie (Egeus) and Laurel Devenie (Helena) as well as Alison Bruce (Titania), Goretti Chadwick (Hippolyta), Peter Daube (Theseus), Andrew Grainger (Bottom), Raymond Hawthorne (Puck), Rima Te Wiata (Peter Quince) and Brooke Williams (Hermia).
A Midsummer Night's Dream features three interlocking plots, connected by a celebration of the wedding of Duke Theseus of Athens and the Amazon queen, Hippolyta, and set simultaneously in the woodland, and in the realm of Fairyland, under the light of the moon.
Horan admits that the whole Shakespeare experience was very scary at first, due to the fact that he was treading on unfamiliar territory. However he says working closely with veteran thespian Hawthorne has been his saving grace.