REVIEW: Ghosting Part 2 – Cabaret (New Performance Festival)

February 18, 2012

A Ghost in the Machine [by Sharu Delilkan] True to form Sean Curham‘s work at the New Performance Festival, Ghosting Part 2 – Cabaret, is nothing short of unexpected. The minute we walked down into the bowels of Aotea Centre we are greeted by Curham’s set, which felt more like we’d walked in on someone in rehearsal. And as people […]

REVIEW: Music and Me

February 15, 2012

Music, Me and Mayhem! [by Sharu Delilkan] It was like going to visit an old friend turning up at Mangere Arts Centre for my first review of the year. For Valentine’s Day evening, Victoria Schmidt’s brand new work Music and Me was an interesting choice, to say the least. Particularly since it was billed as telling the harsh realities of […]

PREVIEW: Where We Once Belonged in Brisbane

February 13, 2012

PIPA crosses the ditch [by Sharu Delilkan] Although Joanna Mika-Toloa may be on her way to perform Where We Once Belonged in Brisbane for the first time, she will have her home team batting for her. The recent graduate of the Pacific Institute of Performing Arts (PIPA) is beside herself about their impending Aussie performance. The Where We Once Belonged […]

REVIEW: The Motor Camp (Auckland Theatre Company)

February 12, 2012

Bringing back the cultural cringe [by James Wenley] Like many kiwis, I joined the yearly summer exodus from the cities, and went camping over New Years. The miserable rain-drenched ‘summer’ of 2012 had little to write home about of course, but it did provide me with one memorable experience: the family holiday train-wreck. Not my own, thank goodness. Evidently, the […]

REVIEW: Bathing with Elephants and other Exotic Reveries

January 27, 2012

An astounding Journey into the unknown [by James Wenley] The Civic Main stage is dark, waiting for its first performance of the year. But the building is alive. The show is Bathing with Elephants and other exotic reveries, with much for the inteprid audience member to encounter. Bathing with Elephants is a collaboration between Vitamin S, Co-Lab and STAMP at […]

REVIEW: Confessions of a Struggling Thespian

January 18, 2012

Embracing the Musical Theatre cliché [by James Wenley] The story and tribulations of the performer – whether it is singer, dancer or actor are an over-familiar cliché: Auditions, rejections, the pluck from obscurity, fame, selling out, rise and fall. Struggle. A Chorus Line, the beloved 1975 Broadway Musical is a definitive going over of these themes. Based on taped sessions […]

Looking Forward: What’s on my theatrical radar for 2012?

January 16, 2012

What will the 2012 Auckland Theatre Scene bring? [by James Wenley] The Auckland Theatre Scene goes deadly quiet in January. In my last post, as I looked back on 2011, I was grateful the curtain had dropped on a particularly busy year for theatre. Now, however, I’m firmly suffering theatre withdrawal. Luckily, the hopeful promise of 2012 productions keeps me […]

Looking Back: 2011 – A Theatrical year in Review

December 29, 2011

Q opens in triumph, Fringe overshadows Festival, Outfit Rise, Rugby, Rugby, Rugby, and the Death of the Theatre. [by James Wenley] Attending the recent Hackman Theatre awards, Auckland Theatre circa 2011 would appear to be in rude health. Rude being the word, hosts Nic Sampson and Joseph Moore proudly observing it was a record year of nudity on stage, from […]

REVIEW: The Secret Life of a Bellydancer

December 16, 2011

Shimmy into the Silly Season [by Sharu Delilkan] The very title The Secret of a Bellydancer conjures up multiple images. And depending on how vivid your imagination is, it can be as raunchy as you like. For that reason I decided to go with an open mind. And also having done bellydancing classes before, when I lived in Hong Kong […]

REVIEW: Silent Night

December 14, 2011

Spend the Night with Irene [by James Wenley] Irene McMunn’s Christmas cheer has been charming audiences in small venues across the country. So much so, that director Stephen Papps has lost track of how many seasons the one woman show has had. This return season at TAPAC is the first time he’s seen the show since March. Impressively, it’s the […]

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