REVIEW: Single Asian Female (Auckland Theatre Company)

May 2, 2021
[A Celebration] Written by Michelle Law and first produced by La Boite Theatre Company in Brisbane (2017), Single Asian Female has been adapted and transposed to Aotearoa for its Auckland premiere. Directed by Cassandra Tse, the play is a funny and heart-warming domestic drama that centres on the lives of three single Asian women: mother Pearl (Kat Tsz Hung) and […]

REVIEW: Meremere (Tour-Makers)

April 13, 2021
[This Beautiful Thing] Kicking off in Auckland and touring New Zealand for the third time since its inception in 2016, Meremere is an autobiographical multimedia dance work showcasing the inspirational life journey of Rodney Bell. Directed by Malia Johnston and created and performed as a solo by Bell himself, the audience follow his journey from leaving Aotearoa after the death […]

REVIEW: Strasbourg 1518 (Auckland Arts Festival)

March 21, 2021
[Dance to Live] Combining dance, theatre and storytelling, Strasbourg 1518 is an exhilarating contemporary performance that explores ideas of revolution and the arts within both a historical and contemporary framework. Directed and choreographed by Lucy Marinkovich, with Lucien Johnson as writer and composer, Strasbourg 1518 is based around the dancing plague of 1518 – begun by a lone woman, up […]

REVIEW: The Wall (Auckland Fringe)

March 6, 2020
[The Walls That Divide Us] Billed as a ‘kaleidoscopic tale about migrant experience and reactions to migration’, The Wall is an original, devised production based on real stories that aims to open questions about identity, unconscious bias and the state of the world. Written by Mallika Krishnamurthy and directed by Daniel Fernandez from Babel Theatre, The Wall involves a large […]

REVIEW: Stupid Bitch Wants a Puppy (Auckland Fringe)

March 5, 2020
[Embracing our Inner Bitch/Witch/Goddess] Stupid Bitch Wants a Puppy is inspired by writer and performer Waldron’s “sheer frustration of hitting the late forties and being relegated to the Death Star for aging actresses”. This one-woman show offers the audience a kaleidoscope of snippets of women’s lives, that range from a published author whose marriage has ended, an exhausted mother, a […]

REVIEW: This Fragile Planet (Auckland Fringe)

February 28, 2020
[We Are our Ancestors’ Wildest Dreams] Billed as a dance theatre work of ‘artivism’, This Fragile Planet is a beautiful dance theatre work that combines storytelling, dance and poetry to explore the complex relationship between humanity and our natural environment. A collaboration between The New Zealand Dance Company (Artistic Director Shona McCullagh), The Conch (Directors Nina Nawalowalo and Tom McCrory), […]

REVIEW: Owls Do Cry (Red Leap Theatre)

October 21, 2019
[Singing from the Dead Room] Based on celebrated New Zealand author Janet Frame’s first full-length novel published in 1957, Owls Do Cry is an evocative and exciting theatrical rendition by Red Leap Theatre.  Led by Artistic Director Julie Nolan and directed by Malia Johnston, the events that plague the Withers family in small town provincial New Zealand are translated and […]

REVIEW: Half of the Sky (Massive Company)

October 20, 2019
Thicker than Water The third work written for Massive Theatre Company by English writer Lennie James and directed by Sam Scott, Half of the Sky explores themes of sisterhood, love and loss over a weekend of birthday celebrations.  Known as the Rose triplets due to their birthdays being three days apart from one another, middle sister Ru (Awhina-Rose Henare Ashby), […]

REVIEW: Mr Red Light (Nightsong Productions)

September 3, 2019
[Mr Red Light has got the Green Light] ‘When you’re an ant, you still have a small identity of your own…a tiny molecule of identity…. Everything is part of everything… we are no more than specs of energy in the giant passing of time’ – Ant in Mr Red Light Mr Red Light is a new, heart-warming, funny and philosophical […]

REVIEW: ORCHIDS (Foster Group Dance)

July 22, 2019
[Women in Full Bloom] Inspired by the orchid flower as a symbol of the divine feminine, ORCHIDS is an emotional and visceral contemporary dance work that celebrates the multifaceted layers of the female experience.  Directed and choreographed by Sarah Foster-Sproull, ORCHIDS features seven strong and expressive dancers spanning three generations — Marianne Schultz, Katie Burton, Rose Philpott, Jahra Wasasala, Joanne […]
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