REVIEW: Over my Dead Body: Uninvited (Tuatara Collective)

April 19, 2021
[Rainbow Visions] Having seen the last Tuatara Collective production Fresh Choice, I enter the Q loft with high expectations for a remount of the 2019 play by Jason Te Mete. The intriguing ‘front room’ set – tatty brown sofas, and wall adorned with a Justin Bieber poster – makes me feel as if I’m a guest at a twenty-something’s house-party, […]

REVIEW: Contractions (Auckland Fringe)

April 19, 2021
[Managed Out] Clad in a white power suit and silk blouse, The Manager (Renaye Tamati) sits on a large, white leather computer chair at a glass desk. Plucky sales employee Emma enters and, at first, The Manager’s intentions are ambiguous. Flipflopping between friendly banter and withering stares, it seems The Manager wants to be more ‘friend’ than colleague –  or perhaps […]

REVIEW: First World Problems 3.0 (Basement Theatre)

April 18, 2021
[Healing Together, Beyond Our Problems] As I arrive into the Basement foyer and navigate past the throng of bodies to collect my tickets, I feel instantly uplifted. Surrounded by so many members the South Asian community, we are lucky to be able to gather and witness the premiere of new homegrown writing. Yet I can’t help but feel a pang […]

REVIEW: Godzonia (Auckland Fringe)

April 17, 2021
[No place I’d rather be] A play about the Covid-19 pandemic that was itself postponed due to the February 2021 lockdown, Godzonia‘s delayed season manages to reframe what could have been a dead-end for the production.  Written by UK actor and writer Georgie Oulton, the production takes inspiration from Flares and Pitchforks – a text co-written by Oulton with fellow actor […]

REVIEW: Coded (Auckland Fringe)

April 1, 2021
[A Clear Message of Empowerment] Coded, the second production in two productive years from theatre-maker Erin O’Flaherty (following An Organ of Soft Tissue), is a solo show which aims to journey into female sexuality through the perspective of a malfunctioning AI bot. The production debuts at TAPAC as part of a rescheduled program within the Auckland Fringe Festival, and uses […]

REVIEW: Tropical Love Birds (Auckland Arts Festival)

March 22, 2021
[Birds of a Feather don’t always flock together] Tropical Love Birds, a new offering by theatre-maker Vela Manusaute, promises to “venture into the often-muted world of domestic violence, using the gravitas of humour, sound and threatre-loving-goodness to uplift courage…” As I enter the Māngere Arts Centre, I’m prepared for lots of laughter despite the hard-hitting theme.   As house lights dim, three […]

REVIEW: Standard Acts (Auckland Fringe)

March 13, 2021
[For Women to wrestle with…] There’s a large black square mat in front of us. A small table sits behind it, with a bottle of champagne, two glasses, and a tape deck on top. Karin McCracken and Arlo Gibson enter the sparsely designed space, both donned in workout gear and knee-pads, and we wait for someone to speak. The anticipation […]

REVIEW: Fake News (The Actors’ Program)

November 6, 2020
‘Actors have it easy..?’ As the world waits with bated breath for the 2020 US election results, the Actors’ Program premieres Fake News at the Basement. Politically speaking, it is a long, arduous day in which Donald Trump – who uses the phrase ‘fake news’ with alarming regularity – declares he is President before votes have been counted. The night […]

REVIEW: Paradise or the Impermanence of Ice Cream (Indian Ink)

October 27, 2020
[Enjoy a Scoop of Life] As audience members pack the rows of the TAPAC theatre, I take my seat beside a group of strangers for the first time in months. There’s an edginess to the atmosphere – a flurry of discussions around the recent Covid cases in managed isolation – and I flinch as the woman next to me coughs […]

REVIEW: Black Ties (Auckland Arts Festival)

March 13, 2020
[Tied by Bonds of Love] Co-created by ILBIJERRI Theatre Company and Te Rēhia Theatre Company, Black Ties is a heartfelt exploration of what happens when two First Nation cultures collide.   Written by John Harvey and Tainui Tukiwaho (co-director and ‘Robert’), the narrative comedy drama is expertly brought to life by an experienced cast under the guidance of Rachael Maza, award-winning […]
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