REVIEW: The Magic Flute (Auckland Arts Festival)

March 10, 2019

[Making Mozart Proud] Bold and engaging, The Magic Flute is for opera lovers and newcomers alike – just mind the sting in the tale. This staging of Mozart and Schikaneder’s Die Zauberflote (The Magic Flute) is directed by Barrie Kosky and Suzanne Andrade, with animation by Paul Barritt, and musical direction by Jordan de Souza and Hendrik Vestmann. Having received […]

REVIEW: As it Stands (Auckland Arts Festival)

March 10, 2019

[When Man, Nature and Industry Collide] Inspired by the monumental and mammoth-sized steel sculptures of American artist Richard Serra, As It Stands is a contemporary dance work directed and choreographed by Arts Laureate Ross McCormack and his company Muscle Mouth.  Featuring eight very strong dancers — James Vu Anh Pham, Lauren Langlois, Luke Hanna, Emily Adams, Jeremy Beck, Tiana Lung, […]

REVIEW: Wild Dogs Under My Skirt (Auckland Arts Festival)

March 7, 2019

[Unleashed] Wild Dogs Under My Skirt speaks volumes to the intersection of fa’asāmoa (traditional Sāmoan) and diasporic upbringing. Having been a NZ-born cis-queer-male of Sāmoan descent, the performance highlights the various women I grew up with and hold dear to my heart. Although Tusiata Avia’s Wild Dogs Under My Skirt collection of poetry was published in 2004, the spoken text […]

REVIEW: Body Double (Silo/Auckland Arts Festival)

March 28, 2018

[Look Again] Desire as an autonomous experience. Now there’s a novel idea. It’s no secret that sexual education across the board is still lacking, whether we’re talking about sexual orientation, contraception, or even basic female anatomy, but something that isn’t often spoken of is a woman’s power to experience and shape her own desire outside of the patriarchal lens. This […]

REVIEW: The Naked Samoans Do Magic (Auckland Arts Festival)

March 24, 2018

[Truly Naked Magic] Although fully clothed at all times, The Naked Samoans are well and truly naked on stage in their latest show – their first together in many years.  They don’t try to hide the fact that they are novices at magic. In fact, it is their bare-all attitude that endears them to the audience. Watching people walk into […]

REVIEW: Us/Them (Auckland Arts Festival)

March 24, 2018

[Nyet] Rarely have I seen a show with such a clear vision that was so completely at odds with the material it was based on. Written and directed by Carly Wijs, Us/Them is a re-telling of the 2004 Beslan school siege from the point of view of the children who experienced it. The early sequences, in which two children (performers […]

REVIEW: The Far Side of the Moon (Auckland Arts Festival)

March 24, 2018

[Looking Beyond the Mirror] On 17th of July, 1975, over a billion people tuned into their televisions to watch two men shake hands. Russian cosmonaut Alexey Leonov reached through the hatch of the Soyuz into the vacuum of Space to shake hands with American astronaut Brigadier General Thomas Stafford. While the rivalry between the two nations’ space programmes had spurred […]

REVIEW: Jack Charles V The Crown (Auckland Arts Festival)

March 17, 2018

[Stories from Uncle Jack] He smiled at me. It was a sunny afternoon in Aotea Square when I recognised the Einsteinian hair and small frame of Jack Charles. I approached him as he puffed away on his cigarette; “Jack Charles, right?”, “That’s right, brother”, he replied, extending his hand to mine. We chatted briefly, I wished him well for his […]

REVIEW: Tea (Auckland Arts Festival)

March 17, 2018

[When the Tea stops Pouring] I’ve followed the work of Ahi Karunaharan closely since The Mourning After, watching him grow and flex his muscles both as a writer and director time and time again. There is an ethos and authenticity to his works; at their finest, they’ve always struck me as being able to open up audiences worldviews without restoring […]

REVIEW: Still Life with Chickens (Auckland Arts Festival)

March 17, 2018

[Fowl Play] Stories don’t get much simpler than this: Mama, a lonely housewife, befriends a stray chicken. That’s it. Simple, yes, but it’s with this understated simplicity that D.F. Mamea’s Still Life with Chickens catches you off-guard. Maybe it’s John Parker’s idyllic backyard set or Goretti Chadwick’s warm and generous performance or Helen Fuller’s puppet chicken (puppeteered by Hannz Fa’avae-Jackson). […]

1 2 3 4 5 8