REVIEW: Cloud 9 (Good Company)

April 4, 2013

I’m on it [by Matt Baker] Cross-gender and cross-racial casting, an era-specific time relocation, and characters represented by dolls or never seen at all are three fundamental theatrical constructs employed by Caryl Churchill to present the themes of sexuality, oppression, and identity in her 1979 play, Cloud 9. Such constructs illustrate said themes to the audience in a blatant and […]