Ça Va [by Matt Baker] Other than its professed Hitchcockian style and some season-orientated pensive posters, I wasn’t sure what to expect from Silo’s production of Amy Herzog’s Belleville other than a psychological relationship thriller. Hitchcock, however, was the undisputed master of suspense. Red herrings are not MacGuffins, and where Hitchcock would show, Herzog tells. There are, of course, moments […]
My love-hate relationship with Silo’s Private Lives [by James Wenley] Consider this plot: A newly remarried man about town books into a hotel room for his honeymoon only to discover that his ex-wife has booked the very next room for her own honeymoon. Will old sparks be reflamed? And what about their new partners? Hijinks and hilarity ensue. Sure sounds […]
Tartuffe for the 3D Generation [by James Wenley] If nothing else, Tartuffe is an experience. ‘This is not museum theatre’, warns/promises Silo Theatre in their bus shelter ads around town. I’m curious about what their definition is, because I certainly don’t feel like Auckland is ‘afflicted’ by productions of this type. Professional Shakespeare’s in period dress for example are the rare […]
Jack the Ripper finally comes to Auckland, and he’s got a knife… [by James Wenley] When I met Anders Falstie-Jensen during his lunch break from rehearsals at the Basement, he was beaming and full of enthusiasm for his latest project. The play he is directing, Yours Truly sounds like a ripper. Jack the Ripper to be precise. Written by Albert Belz, […]
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