REVIEW: Looking at Stuff in Clouds (The Basement)

July 31, 2017

[Not just Fluff] Like Toa Fraser’s classic two-hander Bare, Looking at Stuff in Clouds is a character study of a place through the lives of its inhabitants. Instead of Auckland City, though, we are relocated to small town New Zealand. Performed by co-writers Donna Brookbanks and Shoshana McCallum, it offers a humorous insight into our less metropolitan corners. We move […]

REVIEW: Jekyll and Hyde (A Slightly Isolated Dog)

July 10, 2017

[Lightness Within] After the roaring success of Don Juan in 2016, theatre company Slightly Isolated Dog present the twisted story of Doctor Jekyll and Mr Hyde. The cast give audiences no time to ease into the fun ahead, instead they’re already waiting outside the theatre ready to introduce themselves and lavish compliments upon everyone they see. Various frivolous hats and […]

REVIEW: Power Ballad (Zanetti Productions)

June 13, 2017

[Charged Space] For those that have seen Julia Croft in If There’s Not Dancing in the Revolution, Then I’m Not Coming, you can think of Power Ballad as its angrier, less-forgiving sister.  Back again after its season in the Auckland Fringe (reviewed by Nathan Joe), Power Ballad is fundraising to go all the way to the Edinburgh Fringe. It is intentionally difficult to […]

REVIEW: Jingles the Musical (The Basement)

June 7, 2017

[Take me back to the Rainbow] Perhaps you, like I was, are skeptical about a musical making a plot entirely around advertising jingles. You resent the marketing inception, you loathe the Pavlovian ear-worms that had burrowed deeper and deeper during endless commercial breaks, the very sound of which will have you craving McDonalds for breakfast, or make you smash your […]

REVIEW: The Faustus Project (The Basement)

May 31, 2017

[Hell is Other People] Everybody knows the story of Faust. Smart guy wants to gain more power, conjures the devil, sells his soul and takes too long to understand his folly. It’s been replayed endlessly, from the original Christopher Marlowe play, through The Devil and Daniel Webster, Frankenstein, and the Al Pacino scream-athon The Devil’s Advocate. It’s a story that […]

REVIEW: Weave – Yarns with New Zealanders (The Basement)

April 12, 2017

[Kiwi As?] How well do really know your neighbours? Your work colleagues? The mum of two who you see at the local shop? The person sitting beside you on the bus?  Do you know their story? After interviewing a wide range of people throughout New Zealand, Kiwi theatre-maker Kate McGill shares with us the stories of twenty strangers in her […]

REVIEW: Flaps Retouched (Bits and Pieces Ensemble)

April 1, 2017

[Flaptastic] If you didn’t get to experience the laugh out loud and fiercely proud all female show Flaps last year then thank your lucky stars because the ladies are back again, clad in all pink, and raising the roof once more. Flaps: Retouched offers Auckland theatregoers another look into the squirm inducing hush-hush reality of living with vagina as a […]

REVIEW: Power Ballad (Auckland Fringe)

March 9, 2017

[Language Games] Julia Croft’s If There’s Not Dancing at the Revolution, Then I’m Not Coming used feminist film theorist Laura Mulvey as the jumping off point for a riotous deconstruction of female representation in our popular media. It put those common tropes we often take for granted under a critical lens and scrutinised the hell out of them, all while […]

SCENE BY JAMES: Thank Dionysus for Auckland Fringe

March 8, 2017

[Auckland Fringe 2017: Auckland Needs You] As we head into the finals days of the 2017 Auckland Fringe, it’s weird to think that it almost didn’t happen. The Fringe has bumped along biannually since 2009, but after decoupling from Auckland Live support, its long-term survival has been precarious. After funding decisions did not go its way, late last year Fringe […]

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