• The Beautiful Ones
    Theatre Reviews

    REVIEW: The Beautiful Ones (Tawata Productions)

    [Slice of Nightlife] Born from writer and director Hone Kouka’s own experiences as part of the 90s dance party scene in Amsterdam, The Beautiful Ones is a multi-disciplinary love letter presented by Maori and Cook [...]
  • Silo Theatre's PERPLEX - Kura Forrester, Nic Sampson, Natalie Medlock & Sam Snedden - Andi Crown Photography
    Theatre Reviews

    REVIEW: Perplex (Silo)

    [This is a Review] Nic (Nic Sampson) and Natalie (Natalie Medlock) return from a holiday to find their home not quite in the same state they left it. Their friends, another couple, Sam (Sam Snedden) [...]
  • Tasha Fierce
    Theatre Reviews

    REVIEW: I am Tasha Fierce (The Basement)

    [Portrait of the Artist as a Young Fan] Fans of Beyonce will probably jump on board with I am Tasha Fierce without too much encouragement, but even those with only a passing familiarity shouldn’t be [...]
  • Fuck.
    Theatre Reviews

    REVIEW: The President Tour (The Classic)

    [The Future is Now] With hideously perfect timing Alexander Sparrow’s new show The President Tour arrives at the Classic to offer a terrifying view into the mind of US president-elect Donald Trump. The lead-up to [...]
Taken today - the Maidment Theatre is not long for this world.
In the Spotlight

SCENE BY JAMES: So now we know what’s happening with the Maidment Theatre

by James Wenley in Scene by James

[RIP Maidment] In his update to staff, the University of Auckland Vice-Chancellor Stuart McCutcheon announced today that the Maidment Theatre is to “be closed permanently and eventually demolished”. Opened in 1976, the Maidment had been closed indefinitely since December 2015 after it was deemed an earthquake risk. Until today, the university had been silent on its future. McCutcheon’s internal email was a very low-key way of announcing a decision that has huge implications for Auckland’s performing arts scene. The news is balanced with the promise that “should the Capital Expenditure Committee approve the recommendation”, they “will commit to building a [...]

REVIEW: The Beautiful Ones (Tawata Productions)

November 23, 2016
[Slice of Nightlife] Born from writer and director Hone Kouka’s own experiences as part of the 90s dance party scene in Amsterdam, The Beautiful Ones is a multi-disciplinary love letter presented by Maori and Cook Islands theatre company Tawata Productions. By transplanting this nostalgia for a lost time to a present day Wellington setting, the homage becomes a platform to […]

REVIEW: Vernon God Little (The Actors’ Program)

November 21, 2016
[American Idiot] Vernon God Little is a controversial play for a controversial time. In the wake of Trump’s America raising its ugly head, now is almost too easy a time to dissect American culture for all its faults. Director Leon Wadham has taken that chance with the graduating class of The Actor’s Program who tell the tragically satirical story of […]

REVIEW: Perplex (Silo)

November 17, 2016
[This is a Review] Nic (Nic Sampson) and Natalie (Natalie Medlock) return from a holiday to find their home not quite in the same state they left it. Their friends, another couple, Sam (Sam Snedden) and Kura (Kura Forrester) have been housesitting. It begins by establishing a premise that echoes many others, but soon derails off course. While the domestic […]

REVIEW: I am Tasha Fierce (The Basement)

November 16, 2016
[Portrait of the Artist as a Young Fan] Fans of Beyonce will probably jump on board with I am Tasha Fierce without too much encouragement, but even those with only a passing familiarity shouldn’t be turned off.  Writer/performer Rose Kirkup enthusiastically educates us on everything we need to know, organically weaving factoids about the popstar with Tasha’s own personal history, […]

REVIEW: The President Tour (The Classic)

November 10, 2016
[The Future is Now] With hideously perfect timing Alexander Sparrow’s new show The President Tour arrives at the Classic to offer a terrifying view into the mind of US president-elect Donald Trump. The lead-up to this show was a series of ironies. Most of the audience did not turn up because they were following the results. As Trump (the real […]

REVIEW: A Ghost Tale (The Basement)

November 10, 2016
[A Bit Wispy] Theatre is not always good at creating a visceral experience — the medium is designed as a platform for exploring ideas, not action (let’s take musicals and pro-wrestling out of the equation). Anthologies are also difficult to pull off — not only do you have to provide a strong set of tight stories, you also have to […]

REVIEW: Schlunted (The Other People)

November 6, 2016
[Stunted] Writing, composing and directing a full-length musical in 100 days is no easy task. Schlunted follows a group of young twenty somethings driving off on a road trip after Fi (Sinead Fitzgerald) calls up her two high-school best friends, Hailee (Sally Brady) and Chris (Hadley R Taylor), who have both just completed their university degrees. However, this is no […]

SCENE BY JAMES: So now we know what’s happening with the Maidment Theatre

November 2, 2016
[RIP Maidment] In his update to staff, the University of Auckland Vice-Chancellor Stuart McCutcheon announced today that the Maidment Theatre is to “be closed permanently and eventually demolished”. Opened in 1976, the Maidment had been closed indefinitely since December 2015 after it was deemed an earthquake risk. Until today, the university had been silent on its future. McCutcheon’s internal email […]

REVIEW: Don Juan (A Slightly Isolated Dog)

November 1, 2016
[Juan Direction] The false illusion of immersive theatre is that the audience co-authors the play with the theatremakers. That without the audience the play would not be the same. But the reality is most interactive theatre experiences are as pre-determined and scripted as any conventional ones. Any sense of freedom or choice is mostly manufactured, never rising beyond a clever […]

REVIEW: Lucrece (Auckland Shakespeare Company)

October 28, 2016
[Rings True] The reimagining of Shakespeare’s classic poem, The Rape of Lucrece by William Shakespeare, marks the first professional production by the Auckland Shakespeare Company. By bringing dramatic visibility to the poem they demonstrate just how long rape culture has festered throughout history, another story from the extensive canon of abuse fueled by male entitlement. Shakespeare’s text is 422 years […]

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