REVIEW: Faith Healer (Plumb Productions)

April 12, 2021
[Irish Blessing] This production of Faith Healer, directed by Paul Gittins, marries a masterpiece of playwriting with the mastery of three accomplished actors.   I have read enough works from Irish playwrights to associate Irish drama with cloying hopelessness (looking at you Marina Carr in particular). I briefly hoped, though, that Faith Healer by Brian Friel would be an exception. I had […]

REVIEW: You are [Not] Alone Here (Auckland Fringe)

April 7, 2021
[Pulling the Plug] The play begins in the foyer. The Basement bar area has been decorated with messages – I spot a myriad of advertisements among what appear to be snippets of conversations, perhaps emails or texts. This announces the central theme of You Are [Not] Alone Here: that our communication and relationships have become fractured through technology and consumerism.  […]

REVIEW: The Haka Party Incident (Auckland Theatre Company)

April 4, 2021
[The Last New Zealand War] There’s something about watching local history onstage — history so recent that some members of the audience sitting beside you were participants in the events portrayed. Written and directed by Katie Wolfe, The Haka Party Incident is a resonant piece of documentary theatre revisiting what its advertising calls “the last New Zealand war.” This describes the […]

REVIEW: Coded (Auckland Fringe)

April 1, 2021
[A Clear Message of Empowerment] Coded, the second production in two productive years from theatre-maker Erin O’Flaherty (following An Organ of Soft Tissue), is a solo show which aims to journey into female sexuality through the perspective of a malfunctioning AI bot. The production debuts at TAPAC as part of a rescheduled program within the Auckland Fringe Festival, and uses […]