REVIEW: Po’ Boys and Oysters (Black Creatives Aotearoa)

September 28, 2022

[Timeless and timely] Empty of performers, the main stage at Basement is adorned with eye-catching intricacies to represent a living area and kitchen – there’s a sumptuous green velvet couch, colourful map of Haiti and a potted plant… with browning leaves. After house lights dim, our central characters Jo (Layla Pitt) and Flo (Estelle Chout) enter with varying states of […]

REVIEW: The Made (Auckland Theatre Company)

September 25, 2022

It may be one of the strongest images in our collective pop culture consciousness: Frankenstein’s monster rising from the operating table – the product of a young man playing god now set to wreak havoc on the world. The ‘creation scene’ in Emily Perkins’s The Made happens not at the beginning but roughly the halfway point. Scientist Alice (Alison Bruce)’s […]

REVIEW: The Māori Sidesteps (Court Theatre)

September 25, 2022

Playing at The Court Theatre, the Ōtautahi debut of The Māori Sidesteps is a contemporary evolution of the Māori showband featuring performers Erroll Anderson (Ngā Puhi), Cohen Holloway (Ngāti Toa Rangatira), Regan Taylor (Ngāti Kahungunu – Te Arawa), Jamie McCaskill (Ngāti Tamaterā, Ngāti Rangi, Ngā Puhi, Ngāti Tuwharetoa) and Jerome Leota.  The production riffs on classic songs from both Aotearoa […]

REVIEW: Access (Auckland Fringe)

September 9, 2022

[Experiment in Empathy]  Access is an interactive, durational art performance presented by Hamish Annan.  Created in collaboration with Katie Burson and Rob Byrne the piece invites the audience to both witness and experience an array of emotions.   The piece is formed from a few simple elements: two chairs are set facing each other from opposite ends of a rectangle marked […]

REVIEW: The Writer (Silo Theatre)

September 5, 2022

[Questioning Reality] The Writer by Ella Hickson is a play full of provocation. It asks questions it cannot answer. It challenges the dominant modes of theatre (and society) while still existing within them. What are we to take away from that? The back side of some set pieces sit on the stage. We can see right into the wings, where […]

REVIEW: RAW! ASMR (Auckland Fringe)

September 1, 2022

[Gonzo! The musical] Autonomous Sensory Meridian Response (ASMR) refers to specific audio-visual stimuli which cause an individual to experience a tingling sensation around the head and the back of the head.  Outside of youtube recommendations and advertisements, I have almost no experience with ASMR. That ignorance was hammered home about 0.5 seconds into the show when creator/performer Amy Atkins asked […]