[Spellbound] How do you put this story on the stage? With North by Northwest, you have a property that was written for the screen by Ernest Lehman and directed by the iconic Alfred Hitchcock – there is no other source material to draw on. North By Northwest is defined by its sense of forward momentum, and its cinematic set pieces. […]
[Full of Possibilities] Part of the irresistible pull of the stage is the opportunity to slip into the skin of another, to imagine and inhabit another world before being released back into your own life. Nadia Freeman aka Miss Leading’s Another Universe self-consciously employs the stage as a space in which to explore some of the myriad of possible lives […]
[Must See] A Fool’s Company presents The Wedding, an uproariously funny and thrilling romp. Full of twists and reveals this show will keep you guessing until the very end and laughing in delight. The premise is simple (or so it seems). Mother (Melissa Cameron) brings her son (Aaron Richardson) to a small village to marry the daughter of a distant […]
Outrage over Shakespeare Globe Centre New Zealand’s (SGCNZ) unsuccessful funding application to Creative New Zealand has generated a flood of local and international headlines. Commentary has derided Creative New Zealand for defunding SGCNZ and “cancelling” Shakespeare. This fuss is distracting from the real arts funding scandal: Creative New Zealand has not been given enough money to meet the needs of […]
[Raspberry sauce with a side of body horror] Jessie McCall’s latest choreographic offering I Get So Emotional Baby demonstrates the inexhaustible vocabulary of the human form. Palpable female emotion collides with references to the male gaze in an engrossing and stimulating work. The movement focused I Get So Emotional Baby offers a tightly woven series of images and motifs pertaining […]
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