[Dream Sleep] Moe Miti, presented by Red Leap Theatre, beautifully conjures a liminal space – not quite real, not quite unreal – and explores within it the complex relationship one has to one’s past and identity. It manages to tell a nuanced and unique story about intergenerational trauma with very little narrative. It is at once specific and universal. Director […]
Things that Matter provides a sobering account of the alarming state of our healthcare system, fed by an unhealthy food industry and ongoing poverty that has tragically impacted marginalised communities such as South Auckland. Although based on Dr David Galler’s best-selling memoir Things That Matter: Stories of Life & Death, written three decades ago, award-winning playwright Gary Henderson adeptly brings […]
Nathan Joe’s latest play, Losing Face, successfully blends elements of sci-fi and holiday movies into a forceful and captivating study of the human heart. The project was originally developed under the title Flesh off the Boat as part of Playmarket’s Asian Ink Clinic in 2013 and the revisiting proves rewarding. We meet Mark (Andrew Ford) on Christmas Eve as he […]
Henchmen, written by Amy Wright, and directed by Mark Chayanat Whittet, is a play that takes the audience into a corporate wonderland hellscape of co-worker small-talk, ‘friendly’ upper middle management, and pretending to look busy while doing absolutely nothing. Having been highly commended by the Playwrights b425 competition, this play is an amalgamation of Megamind mixed in with the corporate […]
New Zealand Opera and New Zealand Symphony Orchestra’s production Bluebeard’s Castle reimagines Hungarian composer Béla Bartók’s first and only opera of the same name in English and in a modern, suburban setting. Appearing in Aotearoa for a short season of just two precious performances, this courageous contemporary opera superbly manages juxtapositions of dramatic conventions old and new, in a production […]
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