TOURING: A Doll’s House (Twist Productions & Tour-Makers)

September 9, 2019
Architecture of Happiness “You must change your life” –Rainer Maria Rilke, The Archaic Torso of Apollo It’s great to be wrong sometimes.  When I reviewed Emily Perkins’ A Doll’s House (in ATC’s production) the first time around, I found fault with the play and production. It seemed to take place in a nowhere land, despite the New Zealand references. The […]

REVIEW: School of Rock: The Musical (The Civic)

September 9, 2019
[Essential Education] As we take our seats at the Civic we are immediately transported to the smoky bars of a bygone era synonymous with rock bands. The simplistic drum kit with brick wall backdrop is a clever device that instantaneously evokes that trip down memory lane. Instead of the customary ‘turn your cell phones’ announcement as the lights dim, we […]

REVIEW: Coral (Basement Theatre)

September 6, 2019
Calling the quandaries of employment into question What responsibility do individual employees have to contribute to a better world when businesses typically are pushed to owe employees very little? Coral leans toward a gradual deconstruction of what mundane looks like in the Aotearoa business context, holding up a mirror to its audience. In a nod to the countless hours of […]

CHRISTCHURCH PREVIEW: HIVE (Arts Centre)

September 6, 2019
[A Swarm of Talent] Running 6 to 21st September is a fascinating piece of dance-theatre. Set in the ruins of the pre-quake Court Theatre foyer, HIVE is a rare opportunity to explore one of Christchurch’s most significant cultural spaces while it’s under construction. Stepping into the makeshift set for HIVE is like stepping into a liminal space, where time doesn’t […]

REVIEW: Mr Red Light (Nightsong Productions)

September 3, 2019
[Mr Red Light has got the Green Light] ‘When you’re an ant, you still have a small identity of your own…a tiny molecule of identity…. Everything is part of everything… we are no more than specs of energy in the giant passing of time’ – Ant in Mr Red Light Mr Red Light is a new, heart-warming, funny and philosophical […]

REVIEW: The Blind Date Project (Silo Theatre)

August 30, 2019
[Swipe Right and Swipe Right Again] Improvisational theatre, ephemeral at best, becomes completely sui generis when you have a new guest performer each night; add in a hearty amount of alcohol, constant cellphone use, and some karaoke and you have The Blind Date Project, a wildly unique hour of entertainment. Natalie Medlock returns as Anna after a previous sell out […]

WELLINGTON PREVIEW: Inter-FENN-Tion at BATS

August 29, 2019
[An interfiew with George Fenn] Just over a week after the Tahi Festival of Solo Performance closes in Wellington, improv comedian and solo performer George Fenn will be opening a mini-festival of his own works. Five completely different shows, per night, over the course of a week at BATS.  First off on Tuesday is improvised magical tour Router Sidewalker, which […]

REVIEW: Soft N Hard (Barbarian Productions)

August 22, 2019
[Gender Conversations] With a (silent mime’s) nod to the Topp Twins, Charlotte Perkins Gilman, and Samuel Beckett, Soft N Hard is an absurd comedy that pulls back the yellow curtains and naff Kiwi culture of the 80s to poke fun at kiwi gender constructions and relationships. Created by the husband and wife team behind Barbarian Productions, Jo Randerson and Thomas […]

CHRISTCHURCH REVIEW: The Arsonists (Court Theatre)

August 22, 2019
Slow Burn Part of The Court Theatre’s Forge season, an alternative programme to their mainbill productions, Jacqueline Goldfinger’s The Arsonists plays like a homage to great American playwrights such as Tennessee Williams and Sam Shepard. Described as a love letter to her father, Goldfinger’s narrative is focussed around the parental-child relationship of M (Monique Clementson) and H (Roy Snow). Their […]

REVIEW: AKL, Babel (Basement Theatre)

August 21, 2019
Hello subtext my old friend Choreographed and directed by Amber Liberte, AKL, Babel is a dance work inspired by the Tower of Babel and the rise of similar mega-structures in contemporary Auckland.  Performed by ‘workers’ Jasmine Donald, Joanna Cook, Sophie Grieg and Talia Pua, AKL, Babel is broken into three parts (‘Construction’, ‘Underbelly’ & ‘Expansion’), to show the way projects […]
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