REVIEW: Night of the Queer (Auckland Pride)

February 10, 2019
[One Night is Not Enough] Night of the Queer is everything you’d expect in a cabaret-style theatre show and more. Having seen last year’s NOTQ, I arrive with excitement and anticipation as the super-friendly staff usher us toward our seats. A few members of the cast, dressed in beautifully fitted one-piece bodysuits, are scattered across the floor and spontaneously dancing, […]

REVIEW: Homos, or Everyone in America (Auckland Pride)

February 2, 2019
[Dive bombing into 21st Century Queer Relationships] In Cock by Mike Bartlett, director Shane Bosher explored the sharp edges of an intimate live-in relationship between two men. Bosher builds on this with a more focused lens in Homos, or Everyone in America by Jordan Seavey: an intense, thought-provoking production grounded in the quick-witted diatribes I’ve come to expect from Bosher’s […]

REVIEW: MADIBA the Musical (Bruce Mason Centre)

January 27, 2019
[Long Dance to Freedom] A pretty much full house at the Bruce Mason Centre on the lead up to a long weekend has to be a very good sign.  And it is clear that the decision to open MADIBA the Musical, a celebration of Nelson Mandela, in the heart of Auckland’s South African community is undoubtedly an astute move. Many […]

TICKET GIVEAWAY! Cirque du Soleil’s KOOZA

January 16, 2019
[Win Tickets to KOOZA] Global phenomenon Cirque du Soleil return to Auckland in February with KOOZA, and Theatre Scenes is thrilled to be able to offer readers the chance to win a double pass. KOOZA marks a return to the company’s roots – the show is described as a “colourful, sparkling homage to the traditions of circus, combining thrilling acrobatics […]

REVIEW: Aladdin – The Musical (The Civic)

January 12, 2019
[Putting Agrabah on the Map] Whether recognised from its Chinese origin or by Robin Williams’ signature improvisational skills, the story of Aladdin is by no means new to the international literary or dramatic canon. The pauper-to-prince protagonist plot, antagonised by an evil sorcerer, is a staple narrative in not only its multiple adaptations, but also the varying interpretations of the […]

CHRISTCHURCH REVIEW: Jesus Christ Superstar (The Court Theatre)

January 10, 2019
[Punk Rock Pastoral] Nathan Joe reports in from Christchurch on The Court Theatre’s summer musical. The Court Theatre’s annual musical is a long-held tradition and highlight of the Christchurch theatre scene; one that I’ve had the pleasure of witnessing multiple times in the past few years. Following their flawlessly faithful rendition of Chicago and the appropriately frothy Legally Blonde, New […]

SCENE BY JAMES: 2018 – A Theatrical Year in Review

December 31, 2018
[Representation Matters] Silo Theatre’s production of Mr Burns presented a vision of theatrical futures. In the play by American writer Anne Washburn, survivors of an electricity-ending event band together to form a travelling theatre troupe specialising in the recreation of classic The Simpsons episodes. I begin with Mr Burns here because, while it presents a bleak image for our planet, […]

REVIEW: Work Do (Basement Theatre)

December 3, 2018
[Merry XXXmas] December, 1997. Princess Diana is dead. The Spice Girls are four months away from going Geri-less. The employees of travel agency Go Away gather for their end-of-year party, unaware that the proverbial is about to hit the fan: the company’s finances are a mess, and boss Linda (Jodie Rimmer) is going to have to close it down. With […]

REVIEW: My Name is Rachel Corrie (Shape Shift and Embers Collective)

December 3, 2018
[Looking Inward for Outward Action] “My name is Rachel Corrie”, states the energetic, impassioned, idealistic, empathetic, effervescent and blisteringly awake woman on Garnet Station’s Tiny Theatre stage. Character and actor alike are bright stars who collide to ensure we will not forget Rachel. Phoebe Borwick is a tour de force as the solo performer in the title role of Shape […]

REVIEW: Shortland Street – The Musical (Auckland Theatre Company)

December 1, 2018
[Make No Bones About It] The question of whether the result of Shortland Street the television series can be considered successful need only be measured by one fact: 26 years. But with new mediums come new risks. For every The Lion King and The Producers stage musical adaptation there is a Spider-Man: Turn Off the Dark and The Fly. Fortunately, Shortland […]
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