REVIEW: Mr Red Light (Nightsong Productions)

September 3, 2019
[Mr Red Light has got the Green Light] ‘When you’re an ant, you still have a small identity of your own…a tiny molecule of identity…. Everything is part of everything… we are no more than specs of energy in the giant passing of time’ – Ant in Mr Red Light Mr Red Light is a new, heart-warming, funny and philosophical […]

REVIEW: ORCHIDS (Foster Group Dance)

July 22, 2019
[Women in Full Bloom] Inspired by the orchid flower as a symbol of the divine feminine, ORCHIDS is an emotional and visceral contemporary dance work that celebrates the multifaceted layers of the female experience.  Directed and choreographed by Sarah Foster-Sproull, ORCHIDS features seven strong and expressive dancers spanning three generations — Marianne Schultz, Katie Burton, Rose Philpott, Jahra Wasasala, Joanne […]

REVIEW: The Audience (Auckland Theatre Company)

May 21, 2019
[God Save the Queen] Speaking to our fascination with what happens behind closed doors with one of the world’s most public figures, The Audience imagines and recreates Queen Elizabeth II’s weekly twenty-minute meetings with her Prime Ministers.  Written by Peter Morgan and directed by Colin McColl, The Audience spans a timeframe of over six decades, beginning with the Queen’s meetings […]

REVIEW: My Kuia (Basement Theatre)

March 22, 2019
[Paying Tribute to our Foremothers] My Kuia invites us into the space of a Māori tangihanga/funeral ceremony, where  tributes and laments are made by performers Alesha Ahdar (also the curator/ director of the show), Jonathan Morgan, Jacob Tamata and Levi Waitere.  Through a series of heart-felt monologues and a passionate dance performance, the cast pay tribute and reflect on their […]

REVIEW: As it Stands (Auckland Arts Festival)

March 10, 2019
[When Man, Nature and Industry Collide] Inspired by the monumental and mammoth-sized steel sculptures of American artist Richard Serra, As It Stands is a contemporary dance work directed and choreographed by Arts Laureate Ross McCormack and his company Muscle Mouth.  Featuring eight very strong dancers — James Vu Anh Pham, Lauren Langlois, Luke Hanna, Emily Adams, Jeremy Beck, Tiana Lung, […]

REVIEW: I am Rachel Chu (Auckland Fringe)

February 21, 2019
[Will the real Rachel Chu please stand up?] Co-created and performed by Nathan Joe, Amanda Grace Leo, Ravi Lloyd Gurunathan and Angela Zhang, I am Rachel Chu is a parody, critical response, and humorous ‘rewrite’ of the story of Rachel Chu — the heroine from the Hollywood blockbuster and bestselling novel Crazy Rich Asians. Described as an attempt ‘to liberate […]

REVIEW: Bad Mood (Basement Theatre)

November 8, 2018
[Collage of Womanhood] As artist in residence for the Basement this year, Bad Mood is Tallulah Holly-Massey’s third and final work following Mammoth and Tender is the Night.  I had watched Mammoth earlier during the year, and was excited to see how Holly-Massey’s final work would play out.  Performed by four distinguished dancers — Kelly Nash, Nancy Wijohn, Zahra Killeen-Chance […]

REVIEW: Medusa (Q Matchbox)

October 27, 2018
[Reclaiming Female Rage] Smashing all my preconceptions of what theatre and the mythological story of Medusa are about, co-creators Nisha Madhan, Julia Croft, and Virginia Frankovich have created an aural, visceral and mind-blowing ‘out-of-this-world’ theatrical experience.  There were no snakes in this production, no monstrous females, no men being turned into stone — but there was a lot of female […]

REVIEW: Mammoth (The Basement)

July 19, 2018
[Hair and Now] As artist in residence for the Basement this year, Mammoth is Tallulah Holly-Massey’s second work following Tender is the Night.  Mammoth is a poetic and intimate display that combines the art of dance, story-telling and multi-media.  A ‘supernatural hair dance’ presented by four talented performers — Sione Fataua, Ariaana Osborne, Arlo Gibson and Benjamin Mitchell — Mammoth is an investigation […]

REVIEW: Dara (Prayas Theatre)

June 17, 2018
[Tales from the Taj Mahal] “What shall I do? I know not what I am, I am neither Christian, nor Jew, nor heathen, nor a Muslim.” — Dara Set during the Mughal Empire, India, 1659, Dara is Tanya Ronder’s adaptation of the original play written by Shahid Nadeem.  Based on true historic events, Dara recounts the fierce sibling rivalry and battle […]
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