REVIEW: The Judas Sheep (Basement Theatre)

May 26, 2022
[Come for Candy, Stay to be Compelled] It is often considered unwise for an actor to share the stage with a child or a dog, as these smaller, less-inhibited performers tend to possess an almost magnetic draw upon an audience’s attention. To this company Emily Hurley’s explosive work The Judas Sheep adds a third guaranteed scene stealer- the titular articulated […]

REVIEW: Break Bread (Silo Theatre)

December 2, 2021
[Knead to See it] I will take a basic understanding of the condition of theatre in Tāmaki Makaurau, Auckland as a given in discussing Silo Theatre’s enrapturing latest offering Break Bread.  (If you are not aware of the difficulties posed by the on-going lockdowns and now by the fast approaching traffic-light system to the theatre community in Aotearoa I suggest […]

REVIEW: Yang/Young/杨 (Auckland Theatre Company)

July 26, 2021
[More than a Youth Show] In 2019 I wrote a review which included a meme that intimated that the ATC youth shows excite me more as an audience member than much of what appears in the main programme. Now in 2021 ATC, with the support of Proudly Asian Theatre (PAT), offers Yang/Young/杨 as part of the Here and Now season […]

REVIEW: Faith Healer (Plumb Productions)

April 12, 2021
[Irish Blessing] This production of Faith Healer, directed by Paul Gittins, marries a masterpiece of playwriting with the mastery of three accomplished actors.   I have read enough works from Irish playwrights to associate Irish drama with cloying hopelessness (looking at you Marina Carr in particular). I briefly hoped, though, that Faith Healer by Brian Friel would be an exception. I had […]

REVIEW: Scientists Teach an A.I. about Humanity (Auckland Fringe)

February 25, 2021
[A.I. Acting Up] Highly interactive and deeply irreverent, Scientists Teach An A.I. About Humanity: A Sci-Fi Comedy offers a much needed evening of shared laughter and ridiculousness. Writers and performers John Donnan, Patrick Shanahan, and Natasa Popovic, deliver their show in the form of a ‘scientific symposium’. The symposium is hosted by the ‘professors’ Donnan, Shanahan, and Popovic who stage […]

REVIEW: Le Basement XXXmas Cabaret (Basement Theatre)

November 23, 2020
[Who’s Stuffing Your Stocking This Christmas?] It’s a Christmas miracle, and the one the world (or Aotearoa) needed. This year there is extra emotion in the festivities that are the Basement’s Annual Christmas Show. We have much to celebrate and be thankful for. Sitting in a room pressed up against happy, drunken, theatre goers feels positively illegal and the excitement […]

REVIEW: 48 Nights on Hope Street (Auckland Theatre Company)

September 17, 2020
[Hope abounds, the theatre is alive] 48 Nights on Hope Street is a triumphant addition to an anthological tradition.  Drawing on Giovanni Boccaccio’s Decameron, Auckland Theatre Company has brought together the works of five talented young writers, Freya Daly Sadgrove, Leki Jackson-Bourke, Nathan Joe, Ana Scotney, and Cian Elyse White.  Set during the Black Death epidemic, the Decameron is a story cycle […]

STREAMING REVIEW: Change Your Own Life (BATS Theatre)

June 14, 2020
[Potent in Any Medium] Jean Sergent’s solo show returns from Fringe to the stage and your nearest screen. Change Your Own Life is a guide to navigating where the body, immense love, and overwhelming grief intersect.  With the lockdown and social distancing closing theatres and keeping audiences apart since March, transitioning to an online platform has become a popular alternative […]

REVIEW: Limbo Unhinged (Auckland Arts Festival)

March 14, 2020
[Unhinged Limbs] Billed as circus-cabaret, Limbo Unhinged offers terrifying spectacles and exhilarating feats of strength and physical control. A mixture of dance, clowning, and acrobatics (including fire breathing and sword swallowing), combined with live music, the show has much to offer. The Auckland Art’s Festival Spiegeltent which pops up in Aotea Square provides the perfect venue for this display. Rich […]

REVIEW: Get out of my Letterbox (Auckland Fringe)

February 20, 2020
[Theatre Time is different to Earth Time] Two women, a silver survey machine with the power to turn back time, dozens of bananas, and a pair of letterboxes are the difference between knowing who you think you are and finding out you are a quarter Costa Rican. Get Out of My Letter Box builds a world of wild imagination, subterfuge, […]
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