REVIEW: Fake News (The Actors’ Program)

November 6, 2020
‘Actors have it easy..?’ As the world waits with bated breath for the 2020 US election results, the Actors’ Program premieres Fake News at the Basement. Politically speaking, it is a long, arduous day in which Donald Trump – who uses the phrase ‘fake news’ with alarming regularity – declares he is President before votes have been counted. The night […]

REVIEW: Paradise or the Impermanence of Ice Cream (Indian Ink)

October 27, 2020
[Enjoy a Scoop of Life] As audience members pack the rows of the TAPAC theatre, I take my seat beside a group of strangers for the first time in months. There’s an edginess to the atmosphere – a flurry of discussions around the recent Covid cases in managed isolation – and I flinch as the woman next to me coughs […]

REVIEW: Black Ties (Auckland Arts Festival)

March 13, 2020
[Tied by Bonds of Love] Co-created by ILBIJERRI Theatre Company and Te Rēhia Theatre Company, Black Ties is a heartfelt exploration of what happens when two First Nation cultures collide.   Written by John Harvey and Tainui Tukiwaho (co-director and ‘Robert’), the narrative comedy drama is expertly brought to life by an experienced cast under the guidance of Rachael Maza, award-winning […]

REVIEW: Upu (Silo Theatre)

March 7, 2020
[Bridging the Space Between] Silo Theatre and Auckland Arts Festival present Upu, a remounted production of Oceanic poetry, brought alive by Māori and Pasifika performers.  An empty thrust stage – boxed in on three sides by the audience – juts out with angular raised platforms. A handful of theatre-goers sit with their backs against the central unit, eyes wide in […]

REVIEW: Lust Island (Auckland Fringe)

March 5, 2020
[Keep on Pulling the Laughs] Dressed in lurid summer clothes, nine Lust Island revellers drink and dance to chart hits as audience members fill the Basement main stage. The performance kicks off as Heartthrobs Comedy producer/director and MC Brynley Stent steps up and explains the format of the hour long improvised show, which is based on the controversial reality TV […]

REVIEW: Have You Ever Been With An Asian Womxn? (Auckland Fringe)

March 1, 2020
[Seduction, Sex, and Shame: Sexuality Beyond the Skin] A packed house waits in the Basement main stage space for the first performance of Gemishka Chetty and Aiwa Pooamorn’s Have You Ever Been With An Asian Womxn? which promises to ‘unleash a bold commentary on the hypersexualisation of pan-Asian womxn in pop culture.’  Audio plays on loop over the chatter as […]

REVIEW: Leidy Lei’s Tainted Nightmare (Auckland Pride)

February 24, 2020
[Tainted Love] A small audience of about thirty people arrive into a large theatre. Most members seem to arrive from next door, where No Homo comedy played to a full house,and from the second row the empty stage feels too far away from the action. I hope our combined enthusiasm can create atmosphere for the drag stars as they perform.  […]

REVIEW: Night of the Queer (Auckland Pride)

February 8, 2020
[A Night Without Fear] I’m in the TAPAC foyer, waiting for my male friend to arrive. The atmosphere around me is light as eclectic and alternative beauties mingle – one woman wears little more that a fishnet body-stocking and a big smile; towards the bar, the crowds part intuitively for numerous wheelchair users as they join friends. Instantly, I know […]

REVIEW: The WonderWombs (The Dust Palace)

December 20, 2019
Wonder No More Created by Auckland-based cirque-theatre company the Dust Palace, The Wonderwombs is a tantalising performance of aerial acrobatics, challenging our perceptions of womanhood.   Curiosity begins as soon as we take out seats. Hanging from the ceiling of Q theatre are various innocuous pastel pink objects – a rubber glove, a child’s fortune-teller game – and items move towards […]

REVIEW: How we Survive (Basement Theatre)

October 31, 2019
More Than Surviving: Two Artists, Thriving How We Survive offers an expected array of feminist discourse – from abortion rights and the gender pay gap, to body image and how to crush the patriarchy – but personal anecdotes in the form of poems are delivered with such intoxicating and brave energy that audience members are left with new insight, hungry […]
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