REVIEW: Pussy Riot: Riot Days (Auckland Fringe)

February 25, 2019
[The Revolution will be Theatricalised] I was standing in the Auckland Town Hall’s Great Hall on a Friday night waiting for Riot Days to start, a performance by the Russian protest and art collective Pussy Riot. As I wait, I get chatting to Rita, an 86-year-young from Tauranga who has travelled up to Auckland for the event. Rita had read […]

REVIEW: Tide Waits for No Man (Auckland Fringe)

February 22, 2019
[Treading the Imprints of Cultural Traditions] As the light slowly fades up to the sound of ocean waves breaking, a line of Chinese calligraphy is revealed stretching across the scrim that forms the backdrop to the stage. The bleeding line of ink might represent a jagged mountain range, but perhaps also a fracture or rip in the identity of the […]

REVIEW: Rendered (Auckland Theatre Company)

September 26, 2018
[Trapped in a World of Opposites] The great 13th century Persian and Muslim poet Jalāl ad-Dīn Rūmī said: ‘Out beyond ideas of right doing and wrong doing, there is a field. I will meet you there’. While there is some dispute about the accuracy of these translated words, the sentiment nevertheless expresses the Sufi desire to transcend binaries, to move […]

REVIEW: Orientation (Proudly Asian Theatre)

September 11, 2018
[Roots] Can love transcend race? Is it better to have loved and lost your identity then not to have loved at all? These are just two of the poignant questions asked by Orientation, intelligently written and compellingly directed by Chye-Ling Huang. Against the backdrop of the legacy of colonialism that continues to inform racial politics in contemporary Aotearoa, Orientation is […]

REVIEW: The Race (Auckland Fringe)

March 5, 2018
[A Precarious Performance] Take a walk down Queen Street and it is difficult not to notice the numerous bodies huddled on the pavement. Yet despite the very real and ‘visible’ problem of homelessness in our cities today, the complex stories and experiences of those who survive temporary, shared, or uninhabitable accommodation is often invisible from public discourse. The new production […]
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