REVIEW: A Frickin Dangerous Space-mas (Basement Theatre)

November 24, 2019
Spoofnik Written by comedy troupe Frickin Dangerous Bro (Pax Assadi, James Roque and Jamaine Ross) and directed by Jane Yonge, A Frickin Dangerous Space-mas chronicles the intrepid crew of the International Space Station as they prepare to celebrate Christmas and welcome the arrival of a new crew-mate, whilst warily awaiting the Captain’s (Sam Snedden) decision as to who will succeed him in his role. […]

REVIEW: WORM (Basement Theatre)

October 16, 2019
[The worm’s audience turns] The stage is bare aside from bundles of beige cloth. When the show begins, the most human-shaped of the bundles begins to move. This is Worm (Phoebe Hurst), the latest denizen to occupy the Basement’s Studio. If there was ever a Mount Rushmore for the various entities that have slithered and crawled across its boards, Worm […]

REVIEW: AKL, Babel (Basement Theatre)

August 21, 2019
Hello subtext my old friend Choreographed and directed by Amber Liberte, AKL, Babel is a dance work inspired by the Tower of Babel and the rise of similar mega-structures in contemporary Auckland.  Performed by ‘workers’ Jasmine Donald, Joanna Cook, Sophie Grieg and Talia Pua, AKL, Babel is broken into three parts (‘Construction’, ‘Underbelly’ & ‘Expansion’), to show the way projects […]

REVIEW: Sicko (Basement Theatre)

August 15, 2019
[Existential Crisis] A story of existential dread for the millennial set, Sicko is based around Francis (Zak Enayat), a young man who is trying to figure out his place in life. While he contemplates a new job that he has no interest in, his great Aunt Kay (Victoria Abbott) and best friend Ellie (Chye-Ling Huang) are afraid he is on the […]

REVIEW: The Mournmoor Murders (NZ International Comedy Festvial)

May 17, 2019
[Missing Bodies] Created by Alice May Connolly and Maria Williams, The Mournmoor Murders is an ensemble murder mystery set in a small town in which everyone is a suspect. The hook is that this show is a two-hander in which Connolly and Williams play every role – from the cops investigating the case, through the mayor who becomes the chief suspect, to […]

REVIEW: Before Karma Gets Us (Basement Theatre)

April 5, 2019
[Now You See Me, Me, Me] In the mid-50s, a magician (Tess Sullivan) and her two weary apprentices/assistants/props (Ariaana Osborne and Liv Parker) attempt to put on their show. As egos flare, the line between illusion and reality begins to break down… Created and performed by Tess Sullivan, Ariaana Osborne and Liv Parker, Before Karma Gets Us is like The […]

REVIEW: Exes (Basement Theatre)

March 6, 2019
[A Thin Line Between Love and Hate… and laughter?] A decade ago, Eli Matthewson and Brynley Stent were boyfriend and girlfriend. In the present day, they look back on how they got to together, and how they went their separate ways. Taking in improv games, role-play and a shattering of the space-time continuum, Exes is by a turns funny, sad and – […]

REVIEW: Silent Disco Citywalk (Auckland Fringe)

March 5, 2019
[Musical Massage] When I was going to university in the city, I used to love going for long walks and listening to music. Even now I associate certain parts of the city with specific songs – the Hopetoun Bridge with Will Downing, the Symonds Street Underpass with Faith No More and the now-sadly-departed King’s Arms with Miles Davis’ ‘Freddie Freeloader’. […]

REVIEW: How To Write An Album In 12 Hours (Auckland Fringe)

March 2, 2019
[Make Mine Music] It’s a brilliant concept – in 12 hours, Wellington band The Undercuts will write and record a song in an hour on the hour every hour. And an audience gets to watch. As someone who loves music, and reading about the nuts and bolts of the artist’s process, this was a unique opportunity to watch a song […]

REVIEW: The Salem Bitch Trials (Auckland Fringe)

February 20, 2019
[Eat Your Heart Out Daniel Day-Lewis] An improvised riff on The Crucible that makes about as much sense as the historical event it is inspired by, The Salem Bitch Trials is based on the same formula as Mackenzie’s Daughters, with most of the same cast (featuring a rotating cast of 18, the opening night performance featured Alice Canton, Lana Walters, Brynley Stent, Karin McCrackin, Johanna […]
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