REVIEW: Hir (Silo Theatre)

August 7, 2018
[Transitory Spaces] When prodigal son Isaac (Arlo Green) returns from Afghanistan to find his family home turned upside down, he’s rightfully shocked. Having spent his last three years in the Marines’ Mortuary Affairs division, and dishonourably discharged, it’s no surprise he longs for something familiar and recognisable. Mommy Paige (Rima Te Wiata) has done away with all the rituals and […]

REVIEW: Burn Her (Q Matchbox)

August 6, 2018
[From the Ashes, we Rise] The world has changed since the first reading of Sam Brooks’ latest play, Burn Her, at The Basement Theatre two years ago. At the time, there was no way Brooks could have anticipated the climate in which his play would debut in the Q MATCHBOX 2018 Season. While the election of Trump has publicly highlighted […]

REVIEW: Run Rabbit (The Basement)

July 26, 2018
[Fight or Flight] The one-woman show has become a prominent staple of The Basement’s repertoire over the last few years. While offering individual theatremakers the space and opportunity to develop deeply personal and politically-charged works, audiences have been regularly gifted the chance to witness our most talented artists create highly responsive work in a volatile political climate. What surprises (but […]

REVIEW: First World Problems (The Basement)

July 19, 2018
[Energy and Heart] In the curator’s own words, First World Problems is “a mischievous anthology of a show” – mischief abounds and anthology is the perfect structural description. Ahi Karunaharan has curated a project designed to explore and explode some of the contradictions, injustices, comedy, confusion and conflict belonging to South Asian experience in Aotearoa. With a cast of twenty […]

REVIEW: The Chairs – Pākehā Season (Te Pou)

July 13, 2018
[Park your Bum] Te Pou Theatre presents a night of absurdity, hilarity, and larger-than-life character work in its inaugural Pākehā season of Ionesco’s The Chairs. Opening Te Pou’s quadruplet of productions of The Chairs in different languages – Te Reo Māori, Samoan and Cantonese are to follow – the English language Pākehā show sets things off to an outrageously energetic start. […]

REVIEW: The Contours of Heaven (The Basement)

June 23, 2018
[Listen] Without doubt this was one of the best performances I have ever seen. The Contours of Heaven is a one woman tour-de-force performed by Ana Chaya Scotney and produced by Zanetti Productions. Originally created for the 2017 Harcourt’s Hawke’s Bay Arts Festival, it went on to win Best Theatre and Best Performance in the Auckland Fringe Festival, and is […]

REVIEW: The Cherry Orchard (Auckland Theatre Company)

June 16, 2018
[Mana Whenua] Chekhov’s final play finds itself uprooted from both its Russian origins and its familiar place within the Western theatrical canon in ATC’s latest production of The Cherry Orchard. It has been replanted, by several strokes of genius, in 1970’s Aotearoa – a New Zealand experiencing the death of the old new world, and the birth of a recogniseable […]

REVIEW: Morningstar (The Pumphouse)

June 8, 2018
[Dramatic Archangels] For the next eight nights, The Pumphouse stage is heaven – one year since the creation of Eden. In this first production of Albert Belz’s Morningstar, directed by Romy Hooper, a passionate host of archangels battle it out in a family feud of epic proportions. The gang are all there, though perhaps not quite as we know them […]

REVIEW: Stomp (Lunchbox Theatrical Productions)

May 12, 2018
[Noise Makers] Stomp has been around, in various iterations, since the beginning of the 1990’s. Originating in the UK, the production has grown to include a NYC residence and various touring casts. The original formula remains successful and intact: a celebration of rhythm, energy and joy. The concept is simple and highly effective, and when Stomp first hit stages twenty-five years […]

What’s good at the Comedy Festival? Matt Baker reviews the Comedy Gala

May 3, 2018
[NZ International Comedy Festival 2018 – Best Foods Comedy Gala] Producing a comedy gala involving 20 comedians is no mean feat, so when a venue of calibre such as the ASB Theatre is unable to provide sufficient sound levels for the opening line-up show of the 2018 NZ Comedy Festival, the detriment is not only to itself, but to the […]
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