Scene by James – Theatre Scenes: Auckland Theatre Blog (Reviews and commentary)

SCENE BY JAMES: 2020 – A Theatrical Year in Review [Pandemic Edition]

December 31, 2020

[Out of the Box and Into the Box: Aotearoa Theatre Enduring a Pandemic, and Dreaming of the Future] Suddenly the opening exchange of Anton Chekhov’s 1895 play The Seagull made sense like never before: “Why do you always wear black?” “I’m in mourning for my life” There on my laptop was Masha (Bronwyn Ensor), rocking the no-longer-care lockdown look. What […]

When the Show Doesn’t Go On

March 19, 2020

When people ask me what I’m into, I struggle to list anything beyond “theatre.” I’m a theatre obsessive. A tragic. I decided long ago to make it a core part of my identity, and I’ve stubbornly stuck to that pact ever since. In those moments when I take a hard look at my relationship with theatre, wondering if it would […]

SCENE BY JAMES: 2019 – A Theatrical Year in Review

December 30, 2019

[What could we do with sustainable practice?] The challenges of making a living out of the performing and screen arts are well known to the industry, but there is something about seeing the facts in black and white that throws the problem into stark relief. I’m talking about research commissioned by Creative New Zealand and NZ on Air released in […]

SCENE BY JAMES: Resonance and the New Zealand Fringe, Wellington 2019

April 1, 2019

[On the Fringe: Shifting and Singing] Content Notification: Discussion of the Christchurch terror attack, sexual violence, and suicide. But also hope, and joy, and singing, and the rejuvenating potential of performance. Can you take the pulse of a city through the shows performed on its Fringe? Can you judge the heart of a Festival by the visitors who have come […]

SCENE BY JAMES: 2018 – A Theatrical Year in Review

December 31, 2018

[Representation Matters] Silo Theatre’s production of Mr Burns presented a vision of theatrical futures. In the play by American writer Anne Washburn, survivors of an electricity-ending event band together to form a travelling theatre troupe specialising in the recreation of classic The Simpsons episodes. I begin with Mr Burns here because, while it presents a bleak image for our planet, […]

Six Degrees of Gender Separation: The Problems with Auckland Theatre Company’s 2018-2019 Programme

October 29, 2018

[Where are the Women at the Waterfront?] During the uproar over the Pop-up Globe’s decision to use an all-male cast while invoking #MeToo in their promotion, Auckland Theatre Company did a Facebook post “Celebrating the amazing women of our 2017-2018 season!” ATC name checked their lead actors – “phenomenal matriarchs of the stage” – Jennifer Ward-Lealand, Alison Bruce and Jennifer […]

SCENE BY JAMES: Stars, Sex, Scares and Sisters: Auckland does NZ Theatre Month

September 14, 2018

[What’s Good Auckland?] Already in the first fortnight of the inaugural New Zealand Theatre Month, Auckland has had a glut of good theatre. Consider, that in the professional theatre alone we have had: Two return seasons of shows that debuted last year in Auckland: Indian Ink’s Mrs Krishnan’s Party and Red Leap’s Kororāreka: The Ballad of Maggie Flynn. Two Auckland […]

SCENE BY JAMES: Wellington does NZ Theatre Month: Wonderful and Modern Girls in Bed

September 12, 2018

[What’s Good Wellington?] I knew that if I was going to do New Zealand Theatre Month properly, I needed to travel beyond just the theatre of Tāmaki Makaurau. So last week I flew to the capital for one night. Fortunately, I did not have to choose between the Cookie Time or the Cassava chips, but was able to fit in […]

SCENE BY JAMES: NZ Theatre Month’s Historical Legacies: Bruce Mason, Red Leap, Indian Ink and Short + Sweet

September 5, 2018

[What would Bruce do?] It was a highly symbolic gesture to begin New Zealand Theatre Month in Auckland with a tribute to Bruce Mason, held at Takapuna’s Bruce Mason Centre. In the words of Roger Hall (the MC for the tribute and founder of the month), Bruce Mason was the “Father of New Zealand theatre and plays.” Historian Peter Harcourt […]

SCENE BY JAMES: Why New Zealand Theatre Month Matters

August 30, 2018

[September is for Theatre] New Zealand theatre history can be divided into two distinct periods: Before Roger Hall (BRH) and After Roger Hall (ARH). In the year 0 ARH (that’s 1976 in our usual calendar), Roger Hall’s Glide Time – a close to home satire of the Wellington public service – debuted and was a smash hit for Circa Theatre. […]