REVIEW: Night of the Queer (TAPAC)

February 19, 2015

Queer As! [by Sharu Delilkan] Night of the Queer has all the elements of a typical Cabaret – music, song, dance, recitation and drama. However there is nothing typical about it. Everyone from the emcees Lola la Bomb and Kita Mean to the acts in between make you realise that queer is the new norm and anything else is just […]

REVIEW: Grounded (Auckland Fringe)

February 19, 2015

Target Locked [by Guest Reviewer Rose Archer] George Brant’s script of Grounded is so extraordinary that if nothing else it is absolutely worth going to see such a wonderful piece of writing come to life. Grounded is a complex and moving portrayal of one female pilots struggle with motherhood, marriage, and being ‘grounded’ as a drone-pilot. Essentially an hour-long monologue, the […]

REVIEW: Puzzle (Auckland Fringe)

February 19, 2015

For Ages 8 to 80 [by Guest Reviewer Andrew Parker] Everyone wants to belong. But, of course, “belonging” often means that you have to belong to something or someone, which doesn’t sound so desirable. This unfortunate paradox is the central thread of Ben Anderson’s Puzzle (directed by him and Seamus Ford), a play which looks at the question of whether it […]

REVIEW: Thriller Live (Lunchbox Theatrical Productions)

February 17, 2015

Dazzling, dramatic [by Sharu Delilkan] Putting on a production that truly pays homage to Michael Jackson a.k.a. the King of Pop is a daunting task, to say the least. Bearing that in mind I decided to go to the show with low expectations, to ensure that I wasn’t disappointed. However I was pleasantly surprised by the entire production, including the […]

REVIEW: The Ladykillers (Auckland Theatre Company)

February 17, 2015

Actus reus [by Matt Baker] “To be frivolous about frivolous matters, that’s merely boring. To be frivolous about something that’s in some way deadly serious, that’s true comedy.” So said Alexander Mackendrick, who directed the 1955 film upon which Graham Linehan’s 2011 stage adaptation is based. Farce requires dangerIt requires an expertly balanced combination of drama and comedy played at both extremes. While […]

REVIEW: Beast (Auckland Fringe)

February 16, 2015

The Mark of the Talented Performer [by Matt Baker] While the rise of clowning in the Auckland theatre scene is gaining momentum, Taylor Hall’s solo show is nonetheless a unique theatrical experience. An Auckland season of a Toi Whakaari monologue-derived solo-show  is a common one, but what Hall has created is a show that is a true culmination of all his training, […]

REVIEW: Break Up (We Need To Talk) (Binge Culture and Auckland Fringe)

February 16, 2015

Come back here [by Matt Baker] Walking out of the theatre is the strongest statement an audience member can make, and I have never regretted it until I walked out of Break Up. To clarify, the six-hour show allows its audience to come and go as they please, and it was only due to personal commitments that I left after the […]

REVIEW: Gift of the Gab (Auckland Fringe)

February 14, 2015

Mouthful [by Matt Baker] When a friend asked me what Gift of the Gab was about, it took more than a few run-on sentences and backtracking to explain. If you can’t describe a show in one or two sentences at the least, something is wrong with the plot. That’s not to say that the show doesn’t make sense, simply that the […]

REVIEW: Suri vs Shiloh (Auckland Fringe)

February 14, 2015

Too Cruisey [by Guest Reviewer Amanda Leo] From the offset, what you might expect out of Suri. Vs. Shiloh seems clear. Our two fictionalized protagnoists of real life Suri Cruise, daughter of Tom Cruise and Katie Holmes, and Shiloh Jolie-Pitt, daughter of Angelina Jolie and Brad Pitt, are alive on social media, if you have visited the play’s facebook page. Celebrity […]

REVIEW: Stripped Bare (Auckland Fringe)

February 13, 2015

Barely [by Matt Baker] As a mature performer, Jennifer De Leon presents a unique physicality, and there is no ignoring the athleticism and talent that she has acquired over the years, but a unique and talented performer does not a successful performance make. From the incompetently read and poorly recorded voice over, which for the life of me I cannot understand […]

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