REVIEW: A Fine Balance (Auckland Theatre Company)

June 21, 2019
[A Fine Partnership] A Fine Balance is a wonderful collaboration between the Auckland Theatre Company and Prayas Theatre that successfully stages diverse stories and bodies that are not heard or seen often enough on Auckland’s mainstages. With Q Rangatira configured as theatre in the round, with seating banks on four sides, the performance begins with a woman bent low, sweeping […]

REVIEW: First World Problems (The Basement)

July 19, 2018
[Energy and Heart] In the curator’s own words, First World Problems is “a mischievous anthology of a show” – mischief abounds and anthology is the perfect structural description. Ahi Karunaharan has curated a project designed to explore and explode some of the contradictions, injustices, comedy, confusion and conflict belonging to South Asian experience in Aotearoa. With a cast of twenty […]

REVIEW: Tea (Auckland Arts Festival)

March 17, 2018
[When the Tea stops Pouring] I’ve followed the work of Ahi Karunaharan closely since The Mourning After, watching him grow and flex his muscles both as a writer and director time and time again. There is an ethos and authenticity to his works; at their finest, they’ve always struck me as being able to open up audiences worldviews without restoring […]

REVIEW: Northern Glow (Working Class Productions)

November 11, 2015
Kitchen Sink Birthday Party [by Matt Baker] If you’ve been to Basement Theatre recently, you may have noticed a few changes around the studio door. A car back seat, a toilet, and some graffiti are just a few of the components to set designer Tim Booth’s* refurbishing for Northern Glow, a mini three-act one-woman show that introduces us to the members […]