REVIEW: The Mourning After (Agaram Productions)

July 27, 2021
[After the Mourning, Comes… ] Originally produced thirteen years ago by playwright and director Ahi Karunaharan, The Mourning After is a semi-autobiographical tale of what happens when the protagonist Shekar (Jehangir Homavazir) leaves New Zealand to visit his ancestral homeland of Sri Lanka in order to return his father’s ashes.  As we enter Q’s foyer, kind faces encourage us to […]

REVIEW: My Heart Goes Thadak Thadak (Silo Theatre)

November 26, 2019
A Giggleful Expedition to mid-1970s Bombay Inspired by the decade of disco in the city where dreams come true, My Heart Goes Thadak Thadak is a sweeping tribute to the power of fusion in what was to become the world’s largest film industry. Set in 1975 on a film set, the play reveals a tense amalgamation between the Hollywood Western […]

REVIEW: A Fine Balance (Auckland Theatre Company)

June 21, 2019
[A Fine Partnership] A Fine Balance is a wonderful collaboration between the Auckland Theatre Company and Prayas Theatre that successfully stages diverse stories and bodies that are not heard or seen often enough on Auckland’s mainstages. With Q Rangatira configured as theatre in the round, with seating banks on four sides, the performance begins with a woman bent low, sweeping […]

REVIEW: First World Problems (The Basement)

July 19, 2018
[Energy and Heart] In the curator’s own words, First World Problems is “a mischievous anthology of a show” – mischief abounds and anthology is the perfect structural description. Ahi Karunaharan has curated a project designed to explore and explode some of the contradictions, injustices, comedy, confusion and conflict belonging to South Asian experience in Aotearoa. With a cast of twenty […]

REVIEW: Tea (Auckland Arts Festival)

March 17, 2018
[When the Tea stops Pouring] I’ve followed the work of Ahi Karunaharan closely since The Mourning After, watching him grow and flex his muscles both as a writer and director time and time again. There is an ethos and authenticity to his works; at their finest, they’ve always struck me as being able to open up audiences worldviews without restoring […]

REVIEW: Northern Glow (Working Class Productions)

November 11, 2015
Kitchen Sink Birthday Party [by Matt Baker] If you’ve been to Basement Theatre recently, you may have noticed a few changes around the studio door. A car back seat, a toilet, and some graffiti are just a few of the components to set designer Tim Booth’s* refurbishing for Northern Glow, a mini three-act one-woman show that introduces us to the members […]