REVIEW: Black Lover (Auckland Theatre Company)

March 16, 2020
[A Kiwi Hero in Zimbabwe] When Sir Garfield Todd denounced racial injustice in 1950s Rhodesia (now Zimbabwe), he was fiercely hated by supporters of white minority rule. Among the pejoratives they called him was “black lover”. Stanley Makuwe’s Black Lover is an illuminating glimpse into an overlooked chapter of history: a remarkable chapter which saw the Invercargill-born Todd become Prime Minister of […]

REVIEW: Limbo Unhinged (Auckland Arts Festival)

March 14, 2020
[Unhinged Limbs] Billed as circus-cabaret, Limbo Unhinged offers terrifying spectacles and exhilarating feats of strength and physical control. A mixture of dance, clowning, and acrobatics (including fire breathing and sword swallowing), combined with live music, the show has much to offer. The Auckland Art’s Festival Spiegeltent which pops up in Aotea Square provides the perfect venue for this display. Rich […]

REVIEW: Black Ties (Auckland Arts Festival)

March 13, 2020
[Tied by Bonds of Love] Co-created by ILBIJERRI Theatre Company and Te Rēhia Theatre Company, Black Ties is a heartfelt exploration of what happens when two First Nation cultures collide.   Written by John Harvey and Tainui Tukiwaho (co-director and ‘Robert’), the narrative comedy drama is expertly brought to life by an experienced cast under the guidance of Rachael Maza, award-winning […]

REVIEW: Cold Blood (Auckland Arts Festival)

March 13, 2020
[Making the Strange Charming] In the Belgian production Cold Blood, a team of camera and lighting technicians – with the help of detailed miniature sets, table-top puppetry techniques, and analogue special effects – recreate a series of scenes about death in full view of the audience which are then projected onto a screen hanging above the playing area. This is a […]

REVIEW: Upu (Silo Theatre)

March 7, 2020
[Bridging the Space Between] Silo Theatre and Auckland Arts Festival present Upu, a remounted production of Oceanic poetry, brought alive by Māori and Pasifika performers.  An empty thrust stage – boxed in on three sides by the audience – juts out with angular raised platforms. A handful of theatre-goers sit with their backs against the central unit, eyes wide in […]