REVIEW: Movement of the Human (Auckland Fringe)

February 22, 2019
[Perspective changes MOTH into a Butterfly] Movement of the Human [MOTH] presents the body in glorious movement in an enthralling and deeply atmospheric work directed by Malia Johnston in collaboration with Eden Mulholland’s composition and sound design, and Rowan Pierce’s set and AV design. MOTH’s season at Auckland Fringe Town showcases dance/movement, song, live music, and projection, and is brought […]

REVIEW: Tide Waits for No Man (Auckland Fringe)

February 22, 2019
[Treading the Imprints of Cultural Traditions] As the light slowly fades up to the sound of ocean waves breaking, a line of Chinese calligraphy is revealed stretching across the scrim that forms the backdrop to the stage. The bleeding line of ink might represent a jagged mountain range, but perhaps also a fracture or rip in the identity of the […]

REVIEW: Lovepuke (Auckland Fringe)

February 21, 2019
[Falling in and out of love (& puke)] Written by New Zealand playwright and screenwriter Duncan Sarkies (Scarfies, Two Little Boys) Lovepuke unashamedly focuses on love, sex and relationships. Premiering at BATS Theatre in 1994, this cleverly written piece of observational theatre continues to resonate as part of the 2019 Auckland Fringe. We have seen a multitude of performances where love is […]

REVIEW: I am Rachel Chu (Auckland Fringe)

February 21, 2019
[Will the real Rachel Chu please stand up?] Co-created and performed by Nathan Joe, Amanda Grace Leo, Ravi Lloyd Gurunathan and Angela Zhang, I am Rachel Chu is a parody, critical response, and humorous ‘rewrite’ of the story of Rachel Chu — the heroine from the Hollywood blockbuster and bestselling novel Crazy Rich Asians. Described as an attempt ‘to liberate […]

REVIEW: The Salem Bitch Trials (Auckland Fringe)

February 20, 2019
[Eat Your Heart Out Daniel Day-Lewis] An improvised riff on The Crucible that makes about as much sense as the historical event it is inspired by, The Salem Bitch Trials is based on the same formula as Mackenzie’s Daughters, with most of the same cast (featuring a rotating cast of 18, the opening night performance featured Alice Canton, Lana Walters, Brynley Stent, Karin McCrackin, Johanna […]
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