REVIEW: Legacy Project Year Two (Auckland Fringe & Auckland Pride)

February 12, 2015

May the legacy continue [by Sharu Delilkan] Having not seen the Legacy Project‘s inaugural outing at the last Pride Festival, I am unable to make any comparative commentary. However that doesn’t mean that I don’t have an opinion about the works that were presented at this year’s showing. The six plays were a good mixture of personal, heartfelt stories. And […]

PREVIEW: Standstill (The Rebel Alliance)

May 29, 2012

3 actors, 3 treadmills, 60 minutes [by Sharu Delilkan] Working on a show that has had a previous incarnation can be daunting. But when it has been a huge success it is an even bigger ask. So it’s not surprising that actor Andi Crown was a little hesitant when director-writer Anders Falstie-Jensen asked her to act in Standstill. “I must […]

Looking Back: 2011 – A Theatrical year in Review

December 29, 2011

Q opens in triumph, Fringe overshadows Festival, Outfit Rise, Rugby, Rugby, Rugby, and the Death of the Theatre. [by James Wenley] Attending the recent Hackman Theatre awards, Auckland Theatre circa 2011 would appear to be in rude health. Rude being the word, hosts Nic Sampson and Joseph Moore proudly observing it was a record year of nudity on stage, from […]

Adieu Auckland Fringe

March 14, 2011

I hardly saw thee… [by James Wenley]  Last night the Auckland Fringe Festival closing night was partied away in exuberant style to a live Swing band, after the awards had been handed out, in the stunning Pacific Crystal Palace Spiegeltent in Aotea Square. The Spiegeltent was a ‘loan’, of sorts, from the Mumma Auckland Arts Festival. Whereas the prestigious Arts […]

REVIEW: Standstill (Auckland Fringe)

March 14, 2011

All is revealed [by James Wenley] With the Auckland Fringe over, it is safe to talk about Standstill. The latest from The Rebel Alliance, Standstill featured a unique and risky promotional campaign. Their image said “Don’t read this” and the promotional blurb told us nothing about what the show was about, or who was in it. We were asked to […]

REVIEW: Big Story, Small Space (Auckland Fringe)

March 10, 2011

Which genius lit the world? [by Sharu Delilkan] As the audience pile into the ‘small space’ I couldn’t help thinking ‘How many more can you fit in?’.  But the constant stream keeps flowing and eventually the show’s co-writer and director Pip Smith bellows ‘I’ve added a chair at the end of that isle across the stage but can I make […]

REVIEW: The Turn of the Screw (Auckland Fringe)

March 9, 2011

Hauntingly Effective  [by James Wenley] With so much of the Fringe being comedy orientated, it was very refreshing to take a walk on the Gothic side late on Monday night. Benjamin Henson intelligently adapts and directs this unsettling stage version of Henry James’ 1897 novella The Turn of the Screw. A white gowned governess (Philippa Johnson) is charged with looking […]

REVIEW: Drowning in Veronica Lake (Auckland Fringe)

March 8, 2011

Veronica lives on! [by Sharu Delilkan] Alex Ellis has got the whole package – the petite frame, platinum blonde hair and Veronica Lake’s signature peek-a-boo bangs, which became a phenomenon in the 1940s. She may be a lot taller than Lake was in real life (5 ft 11 in instead of 5 ft 2 in) but that doesn’t detract from […]

REVIEW: Homeless Economics (Auckland Fringe)

March 3, 2011

Real Lives, Real Theatre. Theatre, in many ways, is all about being what you are not. Actors research and rehearse hard in order to embody characters that are nothing like them, playwrights write ‘fictional’ stories… all in the hope of being able to portray some sort of ‘truth’ onstage. It was revelatory and refreshing last night to see Homeless Economics, […]

REVIEW: Chalk (Auckland Fringe)

March 3, 2011

Anywhere but Shady Meadows!  There is something very disconcerting watching Isla Adamson and Josephine Stewart -Tewhiu  play elderly characters in their devised Fringe play Chalk. These gorgeous young performers transform and contract their bodies in such a believable way that the characters have a sense of the uncanny. Welcome to Shady Meadows Retirement home. A commercial voice over tells us […]

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